2) Ming poetry
明诗
1.
Employing the temperament Tang poetry as his critical criteria,he worships Tang poetry,despises Song poetry and affirms Ming poetry.
这一时期的许筠诗歌批评涉及到了唐、宋、明诗以及朝鲜历代诗歌。
3) Regarding Poetry as Ci
以诗为词
1.
On the Meaning of "Regarding Poetry as Ci" by Su Shi;
苏轼“以诗为词”涵义综论
2.
The regarding poetry as ci is not only the change of artistic technique,but also the change ideas of ci.
“以诗为词”不仅是创作方法的更新,而且是词学观念和词学意识的改变。
4) Poetry Can Flourish
诗可以兴
1.
"Poetry Can Flourish": the Ideological Extension Route from the Rise of Arts;
“诗可以兴”:由艺术兴起的思想延伸路线
5) Zen in Poetry
以禅入诗
6) Composing Ci as Poetry
以诗为词
1.
This paper puts two persons in the historical turning point from Huajian Ci to Composing Ci as Poetry to reveal the variations and development of subtle and concise Ci creation under this influence.
因此通过将两人放在由"花间词风"向"以诗为词"转变的词史转折中来进行比较,可以揭示出受此影响的婉约词创作的发展变化。
2.
So, "composing Ci as Poetry" not only is a composing technigue, but also a cultural phenomenon.
本论文试图将“以诗为词”这样一个历来属于词学范畴的命题，置放于诗文化心理的背景之下，借助新的审视角度，对这个命题作一次较为深入的探讨和阐述。
补充资料：“大明万历年早”款铜锁
疑为清代仿制，这种锁具的历史悠久，被各种阶层广泛使用，只是工艺技术、装饰效果的区分而已。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条