The rhythm of Chinese poetry has been formed by descomposing the unit of the rhythm in Chinese rhythmical - groups, which is marked by syllable - pause.

Thus, the rhythm of Chinese poetry has been formed by decomposing and combining the rhythmical groups in a regularly way.

Proceeding from cultural tradition,stylistic characteristics and poetic principles,the author points out that rhyme comes from Chinese phonetics,and it is an essential element and assumes an ontological position in Chinese poetry.

The occurrence of Chinese poetry can be rooted to Song of Waiting and Swallow Song recorded in Lushi Chunqeu,which are regarded respectively as the genesis of the northern poetry and the genesis of the southern poetry of ancient China.

Poetry articulates what is on the mind intently ”is the most fundamental prescription and description of Chinese poetry.

Discussion on Chinese rhythm and phonetic rhetoric;

This thesis is to contend that a study of Chinese rhythm may not de conversed,mixing up "intermittence" and "pause".

In ancient Chinese poetry which boasts the construction of a profound meaning with very succinct language, image is especially central to its artistic value among the various composing elements.

Since its birth,modern Chinese poetry has been discussed twice in terms of language and form,but in vain.

The freedom of modern Chinese poetry endows thenarratives great conveniencewhile the narration plays the symbol of the hardness of modern Chinese poetry.

At the deeper level, it is the modernity experience of the poet that interweaves Modern Chinese with Modern Chinese Poetry completely and indivisibly.