2) Spiritual expression
写意
1.
On Spiritual Expression of Characters of New Jottings;
论“新笔记小说”的人物写意
2.
It is hold that spiritual expression characterized by vivid images is the essence and concrete manifestation of Chinese traditional paintings.
也就是说,以抒情言志为特征的写意是中国传统绘画的精华和具体表现,也是老庄、孔孟哲学思想的高度凝聚与体现。
3.
Its style is more on the spiritual expression in the context of traditional Chinese.
工笔画是以精谨细腻的笔法描绘景物,它用线为骨来表现花鸟山水,注重形似但并非西方自然主义的写实,它在中国传统的背景下写意写心,用夸张和浪漫的手法表现生活,抒发自己的情感。
3) abstract
[英]['æbstrækt] [美]['æbˌstrækt]
写意
1.
By philosophical thinking,the tradional poetic expressions are employed the explarnation of the conceptual landscape practices is made,the ideation is constructed and interpreted through abstract-creating circumstances.
作者经由深度的哲理思索,借鉴传统的诗画之手法,在景观概念规划的实践中建构并尝试了“写意—造境”的构思途径,并在案例中予以详解。
2.
In this century, Chinese oil painting always there are two clues can look for, that be the oil painting of the realism oil painting and abstract style, passing the analysis to these two kinds of different style oil paintings, we can see a Chinese oil painting in the not contemporaneous cultural choice .
在这个世纪里，中国油画一直有两条脉络可寻，那就是写实主义油画和写意风格的油画，通过对这两种不同风格油画的分析，我们可以看出中国油画在不同时期的文化选择。
4) freehand
[英]['fri:hænd] [美]['fri'hænd]
写意
1.
On the method of “ freehand ” in the design of the Exhibition Hall of China Kunming 99 EXPO International;
论 99昆明世界园艺博览会中国馆设计的“写意”手法
2.
Through the creating of the relief fresco to the external wall of the Fujian Ming opera arts center building,this article is to discuss the harmonious relationship between the creation of relief fresco and architectural surroundings,and exhibit the original usage of "freehand" creation in the tastes of the decoration of architectural surroundings and in the symbolizing section.
通过对福建闽剧艺术中心大楼主立面外墙浮雕壁画的创作 ,探讨浮雕壁画与建筑环境的同一性关系 ,展现“写意”创作手法在建筑环境中的装饰审美和标志性方面作用。
5) freehand brushwork
写意
1.
Forms and Strokes of Traditional Chinese Painting:On Realistic Painting and Freehand Brushwork;
中国古代绘画的形和笔——写实和写意谈
2.
This paper summarizes the traditional sculptures of China, and makes a preliminary inquiry into the freehand brushwork in the sc.
本文仅就汉代雕塑的写意性作一初浅的探
3.
As early as in the Northern Song dynasty,there is freehand brushwork paintings theory and practice.
赵孟兆页是宋元绘画艺术从写真向写意风格转变中的关键人物。
6) Free Sketch
写意
1.
Inspiration from the Soul -On the free sketch idea of impressionistic art;
中发心源——谈印象派艺术的“写意”观
补充资料：写意
| 写意 中国画表现手法之一。与之相对应的是工笔。写意一般是用毛笔蘸水墨和颜色，在易于渗化的生宣纸上，以简练、概括、豪放、洒脱，富有表现性的点、线、面，描绘物象的形貌神态。因用笔的力度和笔墨挥洒程度的大小不同，写意又分为大写意和小写意。前者用笔更为豪放，笔墨更加淋漓尽致；后者相对敛约。在造型上要求抓住最能体现所绘物象形貌神情特征的部分，用夸张、变形的手法，塑造形象。在表现技巧上，写意重视笔墨的表现力，要求笔墨既要描绘出物象的形状，又要表现出书法的韵律。具体运用中，讲求笔情墨趣，要通过笔墨在状物的同时抒发画家个人的主观情感。写意作为中国画的一种表现技巧，在五代、两宋已经萌芽或出现，但却主要是伴随文人画的发展而成熟起来的。到了明、清乃至近现代在人物画和花鸟画领域，涌现出许多著名的擅长写意技法的画家，如明代的陈淳、徐渭，清代的朱耷、石涛、虚谷、任颐，近现代的吴昌硕、齐白石、潘天寿、李苦禅等，辗转相承，持续不断，完美和丰富了写意画的技法。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条