1) changhe poetry
唱和诗
1.
The Broad Context and Change of Poetry Writing in Changhe Poetry of Song Dynasty:the two occasions and remained changhe poetry on a white rabbit in Northern Song as the case study;
宋代唱和诗的深层语境与创变诗思——以北宋两次白兔唱和诗为例
2.
This text compared Oumei s subject matter of Changhe poetry with Yuanbai s from three aspects and got the conclusion:There were some contents about politics in both Oumei s and Yuanbai s Changhe poetry.
从三方面对元白唱和诗与欧梅唱和诗在题材内容上进行了比较。
3.
Instead of letter,the Zha Shenxing brothers who were the model in family members used poetry to strong relationship and raise poetry level,they made a big contribution to the development of changhe poetry,were the comprehensive expression of changhe poetry.
唱和诗是古代文人间相互酬答之作,至唐代,经元、白、皮、陆等人得到较全面发展,后来经苏轼兄弟又得到进一步发展。
2) poem in painting
题画诗
1.
Discussion on the aesthetic value of poem in painting——Concurrent discussion on the aesthetic implication of poem written by Lin Sheng in painting;
试论题画诗的审美特质——兼论林声题画诗的审美意蕴
2.
In the history of Chinese literature and art,writing poem in painting can go back to ancient times,Qu Yuan s Tian Wen may be regarded as the confirmable origination;since Six Dynasties down to Tang and Song Dynasty,it occurred commonly.
林声是诗文书画并作的艺术家,而作画又自题诗,并专成一本自题画诗集则于史少见。
3) poems on paintings
题画诗
1.
It is generally acknowledged by scholars that poems on paintings and the combination of poems and paintings are unique in Chinese art while they are absent in the West.
而在众多题画诗中,山水题画诗尤为突出。
2.
With an overall view of the poetry creation of Gu Kuang,we can get the conclusion that he got superior art achievements in poems on paintings.
通观顾况的诗歌创作,他的题画诗艺术成就极高,想象丰富浪漫,风格奇特怪异,语言通俗易懂、生动活泼,充分体现出他独特的艺术感受力和欣赏力,颇具有“盛唐风骨”。
3.
Li Bai is one of the most influential romantic poets in ancient China and his poems on paintings are unique in style and word choices.
作为我国古代最富有浪漫气韵的诗人李白,其题画诗的风格超迈飘逸,用词也值得反复玩味。
4) painting poems
题画诗
1.
Research of Aesthetics in Huang Tingjian s Painting Poems;
黄庭坚题画诗中的美学思想研究
2.
Liu Houcun s painting poems best illustrate his literary character,providing us with the earliest and also the most vivid memories of the ancient paintings that have long been lost.
题画诗是刘后村文化个性最集中的体现 ,他的题画诗为我们留下了许多古代早已失传的古画的最初也是最生动的记忆。
6) poems inscribed on paintings
题画诗
1.
The author of poems inscribed on paintings usually creates aesthetic images in various perspectives in order to enrich the implicat ions.
题画诗的作者往往从多种角度营构艺术形象,以丰富画面的审美蕴涵。
补充资料：城南唱和诗卷
城南唱和诗卷
杨维桢《城南唱和诗卷》，行草书。
论元代书法形态的奇崛古朴，杨维桢当数第一。这与他倔强的个性、深厚的学养又联系在一起所以，非常人所及。杨维桢的行草书，其风格在元代书史上也是独树一帜的。
元代章草的复兴是从赵、邓开始的，但他们未能对章草这种书体作出什么创新，而以章草笔法杂以汉隶和今草笔法成功运用到行草书创作并形成自己独特风格的，独有杨维桢一人。
《城南唱和诗卷》，对章草笔意的运用达到了随心所欲、挥洒自如的境界。杨维桢把晋唐楷法和汉隶、章草、今草笔法融合在一起，故独有奇拙、古朴的趣味。所谓“矫杰横发”（李东阳）“狂怪不经”（徐有贞）“大将班师，三军奏凯。破斧缺斨，例载而归”（吴宽）就是指杨维桢书风中豪迈雄强、形态怪异、用笔粗放的特点。而这种激越奔放的气势，刀斫斧劈的雄强，正是筑基于章草笔法的渗入。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。