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1)  the truth of opera
戏曲真实
1.
This paper approaches WU Mei s discussion of interest and nature,the false or true,and pototype,And,based on the discussion of the truth,expounds the overall process of WU Mei s discussion of the truth of opera.
吴梅论戏曲真实,不仅针对“真”,还包括对“趣”、“天然”、“审虚实”、“本色”等的论述。
2)  new practice of traditional opera
新型戏曲实践
3)  Reality and Distortion
真实与扭曲
4)  opera [英]['ɔprə]  [美]['ɑprə]
戏曲
1.
Conditions that Opera Literature Originates in and Its Development in China;
戏曲文学从祭祀里产生的条件及其在中国的过程
2.
Account on Fictitiousness of Opera Stage Setting;
戏曲舞台布景虚拟性初探
5)  drama [英]['drɑ:mə]  [美]['drɑmə]
戏曲
1.
Discussion on the aesthetic characteristic of dramatic acting;
论戏曲表演形式的审美特征
2.
Study of the Influence about Dealings between Scholar and Prostitute Bringing to the Drama in Late Ming Dynasty in Jiangnan;
晚明江南士妓交谊对戏曲影响之研究
6)  Chinese opera
戏曲
1.
Return to the folk — the way out of Chinese opera;
戏曲的出路在于回归民间
2.
Dramaticism of Traditional Chinese Operas
论传统戏曲之“戏剧性”
补充资料:大安乐不空金刚真实菩萨
【大安乐不空金刚真实菩萨】
 (菩萨)与大乐金刚萨埵同。坐于胎藏界曼荼罗遍知院之最南。梵名摩诃缚曰罗母伽三昧耶萨怛缚。译言金刚不空真实菩萨。密号称为真实金刚。即普贤延命菩萨也。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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