1.
Sincere,Witty and Natural--Discussing of the Truth of WU Mei s Opera;
真率风趣留本色——吴梅论戏曲真实
2.
Realistic Depiction and Aesthetic Idea of the Society in Transformation--On Modern Play Creation of Traditional Chinese Drama in the 1990s;
转型社会的现实写真和审美意味——20世纪90年代的戏曲现代戏创作研究
3.
"It's interesting to me to know Why Chinese traditional plays are called "operas"
戏曲怎么叫"歌剧"呢?真有意思。
4.
That's right. I think it's terrible.
对，我觉得中国戏曲真让人受不了。
5.
On Teaching of Opera Music in Junior Middele School;
让中国戏曲走近学生——初中段戏曲音乐的教学与实践
6.
Waiting for Godot and the Traditional Chinese Opera;
《等待戈多》与中国戏曲——兼议戏曲的跨文化实验与创新
7.
The Audiences Aesthetic Awareness and the Realization of theAesthetic Values in the Traditional Chinese Opera --On the Reform and Approach to Modern Operas;
观众审美意识与戏曲审美价值的实现——兼谈现代戏曲的改革与途径
8.
Pre-Modern Reformation of the Stage Practice in Chinese Traditional Theatre
论中国传统戏曲舞台实践的近代变革
9.
This report wrests the facts out of their true meaning.
这个报告歪曲事实真相。
10.
It was not until the liberation in 1949 that they were able to gain a really respectable position.
直到1949年解放后，戏曲演员们才真正受到尊敬。
11.
Fabrication Can Also Reveal Reality:The Analysis of the Techniques of Parody,Anti-Novel and Language Play in Barthelme s The Glass Mountain;
虚幻亦真实:《玻璃山》中的戏仿、反体裁和语言游戏
12.
Imitation,Parody and Truth--on John Synge's playwright
模仿、戏仿与真实——约翰·辛格的戏剧创作思想
13.
the role of an innocent artless young woman in a play.
戏剧中天真朴实的年轻女性角色。
14.
Have given their hearts up to the play
却是把真心与实意只当作儿戏。
15.
Reality.Illusion.Personality--Intepretation of Ibsen's play Theory
真实·幻觉·性格——易卜生戏剧理论解读
16.
Funetions of Opera Literature on Opera Studies Based on the Analysis of Qu Lv
从《曲律》看戏曲文献对戏曲研究的功用
17.
It is actually the earliest extant commentary edition of Chinese traditional opera.
它实际上是现存最早的中国戏曲评点本。
18.
Discussion of the Dislocation between Drama Theory and Create of Liyu;
试论李渔戏曲理论和创作实践的错位关系