1) Gan-yang song fair
敢仰歌圩
2) folk song fair
歌圩
1.
As typical songs of Zhuang folk song fair,Pingguo Liaoge is indigenous culture with long history.
平果嘹歌作为壮族歌圩的经典,是历史悠久的壮族原生态文化,具有文学上的经典性,音乐上有可塑性,传播上的普及性。
3) song fair
歌圩
1.
Although song fair in Guangxi and "Hua er" Hui in Northwest China share the similar contentantiphonal songs, they have different cultural connation.
情歌对唱活动是广西歌圩与西北"花儿"会共有的重要内容,但两种所表达的婚恋文化的内涵有差异。
2.
The Nanning International Folk Song Art Festival (NIFSAF) is an urbanized deformation of Zhuang Song Fair.
而南宁国际民歌艺术节正是移植远古时代乡土的壮族歌圩并将其“都市化”的形式,其本质目的在于寻求与激活在新时代背景之下保护、发展壮族民歌的因子。
5) Geyu custom of Zhuang
壮族歌圩
1.
Its survival until today relies on Geyu custom of Zhuang.
坡芽歌书是用图画文字描写成的壮族传统民歌集,承传自远古的氏族部落时代,它之所以能够存活到现在,是因为有壮族歌圩这片广袤的沃土;坡芽歌书的发现,唤醒了壮民族的族群记忆,应当是我国珍贵的民族文化遗产。
6) traditional song country fair
传统歌圩
1.
This essay probes briefly into the generation, development and actuality of Zhuang’s song country fair, and indicates that traditional song country fair in modern society would tend towards decline without fail, because it is difficult to accommodate epoch’s steps.
本文在简略地对壮族歌圩产生发展及现状进行探讨时指出,在现代社会中,传统歌圩因难于适应时代前进步伐而必然走向衰亡。
补充资料：敢任
1.果敢任气。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条