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1)  Love ci Poetry
艳情词
1.
Half of My Ci Poetry Passed Imagination to Express My Regret ——the new change of Zhang Yan s love Ci poetry;
一半是空中传恨——论张炎艳情词的新变
2)  The Erotic Ci in Tang and Song Dynasties
唐宋艳情词
1.
The Erotic Ci in Tang and Song Dynasties in the Prospectives of Variation and Aesthetics;
流变与审美视域中的唐宋艳情词
3)  flowery words
艳词
1.
The text widely criticises on the historical data about "flowery words" and finally indicates , after a thorough examining of their nominal existence and objective being, that "flowery words" were identical with "words partial to ornamentation" (侧艳之词) in the period of the Sui and Tang Dynasties.
本文广泛钩稽有关“艳词”的史料,在对“艳词” 的名、实进行考辨的基础上指出:隋唐时期,“艳词”以及与之同义的“侧艳之词”是一个文体概念,指配合艳曲的歌词。
4)  erotic Ci
艳词
1.
Ci writers cultural interpretation of erotic Ci style and quality in the late Qing Dynasty;
晚清词家对艳词体性的文化诠释
5)  love poems
艳词
1.
Li Yu excels in writting love poems.
李渔擅长写艳词,《耐歌词》中艳词居多。
2.
Ouyang Xiu always wrote love poems about the feeling between lower officials and prostitutes,wheras Liu Yong wrote about the dissipated scholars.
欧阳修的艳词多写下层官吏与妓女之情,柳永的艳词多写落魄文人的狎妓;柳用长调笔法,铺叙延展,欧用小令笔法,遗貌取神;柳以平面叙述,突出人物心态,欧以立体描写,突出人物声情;欧追求雅正,柳不免卑俗;他们都向民歌学习,使其走向艺术生命的旺盛。
3.
The love poems of OU Yangxiu don\'t make so much contribution to the art;however they have great values on cultural recognition.
欧阳修的艳词在艺术上虽然没有多么大的贡献,但却具有极强的文化认识价值:艳词归属权的古今之争,反映出古今学术研究在价值判断标准上的不同;艳词所描写的文人生活,是认识欧阳修以及以他为代表的北宋初、中期文人完整人格的重要内证依据;艳词涉及的妇女题材,是研究北宋初、中期妇女问题的不可或缺的重要的鲜活的基本资料。
6)  love [英][lʌv]  [美][lʌv]
艳情
1.
Huajian Ci, which were written in the period of the late Tang Dynasty and the Five Dynasties, were full of love.
就情感表现而言,花间词以艳情为主旋律,南唐君臣创作始露闲情、性情之消息,经两宋之发展,词应写性情之真成为广泛的共识。
2.
Yuefu ballads in the South Dynasty are always the descriptions for the love between men and women,boldly and baldly portrays women\'s feelings and forms.
南朝乐府民歌内容多为男女恋情的描写,大胆而又露骨地刻画了女性的情与态,其情调艳丽柔弱、哀怨缠绵而又热烈浪漫,富有艳情的特征。
补充资料:艳情
1.旧指男女爱情。唐骆宾王有《艳情代郭氏赠卢照邻》诗。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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