2) imperative mood
祈使句式
1.
In fact,there is no gram-matical category of the imperative mood in English at all.
英语动词祈使句式的主语总是第二人称,都是受话者;其谓语动词形式是现在时的第二人称形式,实质上,英语动词中不存在祈使语气的语法范畴。
3) imperative sentence
祈使句
1.
The Implicit Negative Imperative Sentence in Chinese;
现代汉语中的隐性否定祈使句
2.
The mediaeval times were the crucial period to imperative sentence to develop to its maturity and stereotypes.
中古是祈使句走向成熟与定型的关键时期。
4) Imperative Sentences
祈使句
1.
The pragmatic difference of the imperative sentences in Selection of Qu-verses of Yuan Dynasty
《元曲选》祈使句的语用差异
2.
The existence of the selectivity of modal particles in imperative sentences in modern Chinese is due to the fact that the employment of the modal particles is closely related to both the subjects and the types of the imperative sentences.
现代汉语祈使句句末语气词的分布存在选择性,其原因与祈使句的类别及主语人称有关。
3.
This article approaches the negative and emphatic forms of English imperative sentences,analyses their characteristics and illustrates their uses in different contexts.
探讨了英语祈使句的否定式和强调式的各种形式,并分析了它们的特点和使用的场合。
5) imperatives
[英][im'perətiv] [美][ɪm'pɛrətɪv]
祈使句
1.
The Chinese Imperatives and The Adjective Types;
汉语祈使句和形容词的类
2.
This paper examines the aspectual features of two types of imperatives that are marked by “V zhe!” and “V le!” respectively in Mandarin and their influences on the negation of these sentences.
两类典型的祈使句(“V着!”、“V了!”)中动词都带有体标记,并对句子的否定产生一定的影响。
6) imperative
[英][ɪm'perətɪv] [美][ɪm'pɛrətɪv]
祈使句
1.
This paper analyses imperative "VA点儿" and its constraints of word-order transformation in Mandarin.
汉语“VA点儿”祈使句式V与A的语义关系直接影响到语序的变化。
2.
The paper begins with a functional analysis of imperatives, highlighted with the taxonomy of marked and unmarked themes.
先对祈使句进行功能 (语法 )分析 ,主要是标记和无标记主位的分析 ,然后从语用学角度辨析真假指令 ,并区分它们不同的指令力。
3.
For example,under the special tone,some interrogatives,imperatives,exclamations,conditional clauses and affirmative declaratives all have the recessive denying context.
英语中隐性否定存在于各种不同的句式和结构中,诸如在特定语调下的某些疑问句、某些祈使句、感叹句、条件句和一些肯定的陈述句中都存在隐性否定语境。
补充资料：《关于电影的特殊表现手段》
中国电影艺术理论文集。张骏祥著。1959年中国电影出版社出版,1979年人民文学出版社修订重版。修订版除编入原有的《关于电影的特殊表现手段》、《电影剧本为什么会太长》、《关于展开戏剧冲突的一些问题》、《谈悬念》、《电影的对话》5篇论文以外,补进了《谈电影剧本创作中的三个问题》一文。书中论文对电影艺术表现形式的基本规律、情节结构与突出人物之间的关系、如何创造性地发挥电影语言及运用电影手段等问题，作了鲜明的阐释和论述。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条