1) Jinjiang painting school
京江画派
1.
On Jinjiang painting school and Jinkou covert culture;
京江画派与京口隐逸文化
2) painter of Beijing faction
京派画家
3) school of Beijing painting
北京画派
1.
In the first half of the 20~(th) century,the school of Beijing painting, as well as the school of Shanghai and that of Lingnan,were influential schools of paintings in China.
20世纪上半叶的中国画坛,北京画派与海派、岭南派鼎足而立,是一个有影响的艺术流派,也是北京文化的一个重要组成部分。
4) school of painting of Beijing and Tianjin
京津画派
5) JINGJIANG School
京江诗派
1.
Further more,this book gives a new viewpoint of JINGJIANG School by giving abundant proofs,which will widen the research field of literature history.
王平所著《王文治研究》一书注重实地考察、文献整合与作品解读的有机结合,对王文治其人进行了开拓性研究,使人们对其认识由书画家转变为诗文书画的全能型作家;此外,该书通过翔实的论证提出京江诗派的命题,丰富了文学史的研究疆域。
6) Lijiang Painting School
漓江画派
1.
Discussion on the Comparisons between the Lijiang Painting School and Several Other Painting Schools of Contemporary Arts in China;
漓江画派与中国当代画坛诸画派若干比较刍议
2.
The Evolution of Lijiang Painting School
“漓江画派”之说的演进
3.
He is not satisfied with the fact that Lijiang painting style was shared just by him,and led those who share the similar tastes to produce a Lijiang River full of humanistic value,thus the bourgeoning Lijiang Painting School was created.
他不满足自己一个人纸上的漓江,还要带领同好一同打造更有人文价值的漓江,所以就有了轰轰烈烈的"漓江画派"。
补充资料：京口江际弄水
【诗文】：
退公求静独临川，扬子江南二月天。
百尺翠屏甘露阁，数帆晴日海门船。
波澄濑石寒如玉，草接汀蘋绿似烟。
安得乘槎更东去，十洲风外弄潺湲。
【注释】：
【出处】：
全唐诗：卷751-7
退公求静独临川，扬子江南二月天。
百尺翠屏甘露阁，数帆晴日海门船。
波澄濑石寒如玉，草接汀蘋绿似烟。
安得乘槎更东去，十洲风外弄潺湲。
【注释】：
【出处】：
全唐诗：卷751-7
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条