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1)  Songjiang Painting School
松江画派
1.
Songjiang Painting School was mentioned by the painting learning literatures and art history writings in late Ming Dynasty, Qing Danasty and 20th century, but its period from start to end, representatives, school structure and artistic characteristics have never been defined clearly and studied deeply.
松江画派虽见诸晚明、清代以及20世纪一些画学文献及美术史著述中,但对于这一画派的起讫时限、代表人物、派系构成乃至艺术特征,都未曾得到明确界定和深入研究。
2)  Lijiang Painting School
漓江画派
1.
Discussion on the Comparisons between the Lijiang Painting School and Several Other Painting Schools of Contemporary Arts in China;
漓江画派与中国当代画坛诸画派若干比较刍议
2.
The Evolution of Lijiang Painting School
“漓江画派”之说的演进
3.
He is not satisfied with the fact that Lijiang painting style was shared just by him,and led those who share the similar tastes to produce a Lijiang River full of humanistic value,thus the bourgeoning Lijiang Painting School was created.
他不满足自己一个人纸上的漓江,还要带领同好一同打造更有人文价值的漓江,所以就有了轰轰烈烈的"漓江画派"。
3)  Jinjiang painting school
京江画派
1.
On Jinjiang painting school and Jinkou covert culture;
京江画派与京口隐逸文化
4)  Songjiang School
松江学派
1.
The Open Economic Ethics of the Songjiang School of the Ming Dynasty;
明代松江学派的开放式经济伦理
5)  Barbieri School
巴比松画派
1.
Northern Song landscapes was before Barbieri School for about 700 years.
北宋山水与巴比松画派时间相隔七百多年,发生地域距离遥远。
2.
Northern Song landscapes were about 700 years before those of Barbieri School.
北宋山水与巴比松画派时间相隔七百多年,发生地域距离遥远。
6)  Barbizon school
巴比松画派
1.
With observance of natural landscape of water and careful sersation to it,unique chinese wash painting arises is China and Italian Venace School,Franch Barbizon School,impressionism and English watercolour painting avise in Eurspe art.
对水的自然景象的观察与对水的细致感悟,产生了中国独特的水墨写意画,在西方绘画中则产生了意大利的威尼斯画派、法国的巴比松画派与印象派、英国的水彩画。
补充资料:巴比松画派
巴比松画派
Barbizon School

   法国19世纪的风景画派。巴比松为法国巴黎枫丹白露森林进口处,风景优美。19世纪30~40年代,一批不满七月王朝统治和学院派绘画的画家,陆续来此定居作画,形成画派。它不仅以写实手法表现自然的外貌,并且致力于探索自然界的内在 生命,力求在作品中表达出画家对自然的真诚感受,以真实的自然风景画创作否定了学院派虚假的历史风景画程式,揭开了19世纪法国声势巨大的现实主义美术运动的序幕。他们厌倦都市活动,信奉“回归自然”。 其成员有 T.卢梭、N.-V.迪亚兹·德拉佩纳、C.特罗容、C.- F.多比尼、C.-E.雅克等,其中卢 梭为其领袖。C.柯罗与 J.-F.米莱与此画派关系密切。巴比松画派的画家们反对学院派画家在室内画风景画,主张走出画室在自然光下对景写生,然后以写生稿为基础,进行风景画创作。他们的创作经验,特别是对景写生,以求获得真实新鲜的感受和使画面色调响亮起来的艺术主张和实践,给欧美风景画家,包括印象主义画家以重要启示。
    
   

C.特罗容《家畜》

C.特罗容《家畜》

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