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1)  depersonalized and personalized language
非个性化与个性化语言
2)  individualized language
个性化语言
1.
The expression and inditement of individualized language in oil painting supplement each other.
油画个性化语言表达与创作是相辅相成的,反映了画家对整幅画面的形、色、线的节奏韵律构成、画面空间的处理,乃至每块色彩,用笔和肌理的把握。
2.
"Artistic flavor" includes three elements: textual atmosphere, sound and rhythm, and individualized language.
“韵味”包括三个要素 :整体氛围、声响节奏和个性化语言。
3)  speech individuality
语言个性化
1.
The paper, taking "what to say" and"how to say it" as its starting point, discusses the speech individuality of characters in literary works in order to reveal its multi purpose functions in picturing distinctly and accurately the characters and theirs personalities, especially discusses the function of "how to say it" in vivifying the characters and in delineating their inner world.
本文集中探讨了文学作品中人物语言个性化问题 ,从“说什么”和“怎么说”两方面展开论述 ,从而揭示人物语言的个性化既可使人物个性的意识风貌得到明晰、准确地展现 ,又显示其性格特征 ;特别是通过“怎么说”的方式 ,对人物性格进行生动地表现和深入地开掘。
4)  impersonal theory
非个性化
1.
Eliot s impersonal theory is put forward against romanticists theory of personification and theory of talent.
“非个性化”是艾略特最有影响力的文学理论,它是针对浪漫主义的“个性说”、“天才说”而提出的,它主张诗歌不是诗人个性与个人情感的反映,而是个性与情感的脱离。
2.
Eliot made use of paradox as the main structure,adding with symbolism, interior monologue and literary allusion, to reflect his poetic theory,e·g·"impersonal theory "and "objective correlative" of his early age.
艾略特在诗中以悖论为框架 ,佐以象征手法、内心独白和典故法等 ,反映了他早期的诗歌理论 ,即创作过程“非个性化”和营造“客观对应物”。
5)  non-individuality
非个性化
1.
The theory of "non-individuality" is the key content of T.
"非个性化"理论是艾略特诗歌理论的核心内容,包括艺术情感、传统、客观对应物三个相互影响、相互制约的核心概念。
2.
Depriving of human subject position, abandoning the author, transforming the text, as well as relocating the reader, post-modernists provide "non-individuality" with polygenic demonstration in the philosophy, linguistics, as well as psychology perspective, and make it a self-evident commonplace.
后现代取消了人的主体地位,抛弃了作者,转换了文本,重置了读者,为“非个性化”在哲学、语言学、心理学方面提供了论证,并使之成为不言自明的常识。
6)  impersonality [英][im,pə:sə'næliti]  [美][,ɪmpɝsṇ'ælətɪ]
非个性化
1.
This essay is intended to analyze Eliot s “Impersonal Theory of Poetry” by starting from the categorization of impersonality,namely,consensual impersonality and reality correspondence impersonality.
本文从“非个性化”分类入手 ,通过分析“非个性化诗论”的社会文化背景和艾略特在《传统和个人才能》对其理论的阐述 ,旨在指出诗歌创作中个性的不可避免性 ,诗歌应该是“个性”和“非个性”的有机结
2.
Furthermore, it forms a more historic multi-subject dialogue, which tallies with the emphasized traditional awareness in the “impersonality” theory of the poet himself.
而这与诗人的“非个性化”理论所强调的传统意识完全吻合。
3.
Dramatic presentation stands as a balanced resolution to propositions like impersonality and poetry as personal utterances,poetry as a moralizing agent,and the reception of the reader.
创作非个性化诗歌和实现诗的道德教育功能,构成了世纪之交叶芝诗学观转变的两大内容,也是他采用戏剧化呈现的根本动因。
补充资料:个性
      见人格。
  

说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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