1) the Pipes of Earth
地籁
2) Tianlai
天籁
1.
Kallos is Either Difficult or Indifficult——Zhuangzi "Tianlai" and Its Aesthetic Significance;
美难而不难对于美——庄子的“天籁”说及其美学意义
2.
Zhuangzi s "Tianlai" and Its Aesthetic Significance;
庄子的“天籁”说及其美学意义
3) sounds of nature
天籁
1.
The Study on the Literary Meaning of Zhou Tongbin s Sounds of Nature;
探析周同宾《天籁》的文学意蕴
2.
Zhuang Zi "sounds of nature" is the presentation of his Tao,and Tao is an integral whole of cosmology,ontology and outlook on life.
庄子"天籁"本是其"道"的呈现,而"道"是庄子宇宙论、本体论与人生观融合一体的归结,在庄书或庄子思想中乃是"自然""无为"主观境界与客观自然之义,因而"天籁"也就取得主观境界与客观自然的主客合一之境。
3.
In ancient and modern Chinese, sounds of nature always mean the sounds which are harmonious in nature or music which is very interesting or pleasant to ears.
在古、今汉语中,“天籁”一词都很常见。
4) Dialect of Shu
《蜀籁》
1.
Some Questions about Dialect of Shu;
关于《蜀籁》的几个问题
5) the Pipes of Men
人籁
6) three sounds
三籁
1.
This paper,based on the description of "three sounds" and "dreaming of being a butterfly" in The Equality of Things,discusses the characteristics of Zhuangzi′s aesthetic thought,that is,the directness in the aesthetic process,the super integrity of aesthetic object,the aesthetic psychological state of heteromorphy isomorphism and the aesthetic perspective of periphrastic view.
基于《齐物论》中"三籁"和"梦蝶"形象的描述,探讨了庄子美学思想的几个特点:即主张审美过程的"直达"性,追求审美对象的"超完整"性,异态同构的审美心质以及迂回观照的审美视线。
补充资料：地籁
1.风吹大地的孔穴而发出的声响。 2.指穴谷。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条