1) talented scholar/lovely lady
才子/佳人
2) genius and beauty
才子佳人
1.
The Analysis and Cultural Interpretation of the Differences between Images of Genius and Beauty in "the Romance of the Western Chamber" and "the Peony Pavilion";
《西厢记》《牡丹亭》才子佳人形象探异及其文化阐释
2.
Fictions about genius and beauty during Ming and Qing Dynasties are almost of happy endings with grading the candidates in the imperial examinations and getting marriage by order of the parents,but lack of the tragedy spirits.
明清时期的才子佳人小说几乎都是以科举及第、奉旨成婚的大团圆形式结局,缺乏悲剧精神。
3.
The definition of genius and beauty also changed with the development of the times.
才子佳人小说是中国白话小说出现伊始的固定模式之一,然而经历几个世纪文学的变迁,已经有了很大的变异,才子与佳人的定义也随着时代的发展而有所不同,其中的套用模式,"痴心女子负心汉""门当户对"等也有了不同的内涵。
3) gifted scholars and beautiful ladies
才子佳人
1.
On FengHuangChi: the novel of the school of gifted scholars and beautiful ladies in Qing Dynasty;
论清代才子佳人小说《凤凰池》
2.
Gifted Scholars and Beautiful Ladies, Awareness of Common People, Integrity of a Patriot;
才子佳人、平民意识、民族大节
3.
Wether you accept it or not,the novels on gifted scholars and beautiful ladies declare their objective existence clearly through their plenty works,multitude writers and extensive readers.
无论你是否承认,才子佳人小说其作品数量之多、参与创作人数之众、拥有读者之广泛,都清楚地向世人宣告了自身的“客观存在”。
4) A handsome scholar and a pretty girl
才子佳人
1.
The love choices of Dramatis personae signify their political ideals,so a hero and a beauty beat a handsome scholar and a pretty girl.
主人公对爱情的选择象征着其政治理想的归属,英雄美人"打败"了才子佳人。
6) the pattern of gifted scholars and beautiful ladies
才子佳人型
1.
There are three marriage and love patterns in Caoyu\'s dramas: the pattern of owner and slave,the pattern of friends,the pattern of gifted scholars and beautiful ladies.
文章将曹禺剧作中的婚恋故事分为主仆型、志同道合型、才子佳人型等,通过这种分类研究,指出曹禺在通向"现代"之路的历程中的思想和情感矛盾。
补充资料：代佳人赠别
【诗文】：
万里行人欲渡溪，千行珠泪滴为泥。
已成残梦随君去，犹有惊乌半夜啼。
【注释】：
【出处】：
全唐诗：卷267_40
万里行人欲渡溪，千行珠泪滴为泥。
已成残梦随君去，犹有惊乌半夜啼。
【注释】：
【出处】：
全唐诗：卷267_40
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条