It uses the related literature to research the Nihuaben novels in Yongzheng and Qianlong periods of the Qing Dynasty.

After the Southern Song Dynasty,along with the southward moving of the economical center and the cultural center,the vernacular novels grew rapidly in the south Yangtze River area and became mature in the Ming Dynasty.

With a rhetoric perspective, this paper aims to lead a deep and systematic research on touhui (a special commencing in vernacular novel, namely, to tell a short story relevant or irrelevant to the texts before starting narration).

The article makes a summary about the special narrative mode of the "simulated story-telling locale"of vernacular novels from the perspective of thenarration studies.

Simulating vernacular novels in the late Ming dynasty were severe.

The scope of the concept is very important to a series of question in the history of vernacular fiction, so the first section defines the concepts about HuaBen, NiHuaBen and HuaBen fictions.

The Culture of the south of the River have deep roots in the colloquial stories.

It was determined by the performance form of the colloquial stories, the city residents needs, and the colloquial stories writers ideological level and artistry.

The author,from perspectives of literature and philosophy,has explored modern consciousness and tragedy spirit in deeper sense,thus highlighting the modern significance in quasi-myth novel writing.