1) ethos of scholars in late Ming Dynasty
晚明士风
1.
Shan Ren and ethos of scholars in late Ming Dynasty --Take Chen Meigong as The Clue to Analyze;
晚明“山人”与晚明士风——以陈眉公为主线
2) Development of the Scholars General Mood in the Late Ming Dynasty
论晚明士风的嬗变
5) Calligraphy style in late Ming Dynasty
晚明书风
6) the poetic world of the Daming period
大明士风
1.
The first part is the background of the appearance of“refined well”and“advocating folk custom”and the latter two parts mainly state the active condition of the poetic world of the Daming period and the appearance of the phenomenon of“refined well”under the influence and impetus of Emperor Song Xiao Wu.
本文由“孝武帝与大明士风新变”、“孝武帝与大明一代‘好斯文’”和“孝武帝与大明诗坛‘尚谣俗’”三部分组成。
补充资料：红林檎近 冬雨晚晴，次谢士英韵
【诗文】：
山晚牛羊下，野荒凫雁肥。雨脚度江远，日光映林微。泥深何堪纵步，倚杖漫立苔矶。望极浦口云归。寒气透征衣。断冰随浪楫，斜竹偃风扉。江空岁暮，村深人迹还稀。待霜桥梅破，茅堂酒暖，放船速客延□晖。
【注释】：
【出处】：
山晚牛羊下，野荒凫雁肥。雨脚度江远，日光映林微。泥深何堪纵步，倚杖漫立苔矶。望极浦口云归。寒气透征衣。断冰随浪楫，斜竹偃风扉。江空岁暮，村深人迹还稀。待霜桥梅破，茅堂酒暖，放船速客延□晖。
【注释】：
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条