1) scholarly translator
学者型翻译家
1.
The paper explores the the perspectives in translation of Liang Shi-qiu as a scholarly translator in the controversy with Lu Xun,his translation and studies on Shakespeare s works and other literary masterpieces, and his commentaries on translation works.
本文通过对学者型翻译家梁实秋在与鲁迅先生的论战、莎剧翻译和莎学研究、以及对其他外国文学作品翻译和评论活动的分析,全面分析和梳理了这位学者型翻译家的翻译思想。
2) scholarly translation
学者型翻译
1.
This article, apart from porviding a brief introduction to Legge and his works, is devoted to an analysis of his scholarly translation of Confucian Analects and its.
本文拟对理雅各生平译述作一简要介绍,并以《论语》为例,分析其学者型翻译的特色与得失。
3) scholar-translator
学者型译者
1.
The scholar-translator s cross role interaction in translation;
学者型译者在翻译中的跨角色互动
4) translator
[英][træns'leɪtə(r)] [美][træns'letɚ]
翻译者
1.
In the situation of crossing, melting and developing of the world languages, in the translating process, it is very significant to pay attention to subjective position of translators and development of subjectivity and creativity of translators.
在世界语言交叉、融合、发展的形势下,在翻译过程中,重视翻译者的主体地位及其主体性、创造性的发挥,有着十分重要的意义。
6) Translator
[英][træns'leɪtə(r)] [美][træns'letɚ]
翻译家
1.
Professor Sun Zhili is a well-known Chinese literary translator, having published 25 quality translation works during his 25 years of translation career.
孙致礼先生是我国著名的英美文学翻译家。
2.
As a translator,He put forward his ideas in different perspectives on the quality of a translator,the motive of a translator,the poem translation and the theory that translation was equivalent to creation.
郭沫若作为翻译家,就翻译者的素质、译者的动机、诗歌翻译、以及翻译创作论等提出了自己独到的见解。
3.
With his supreme skills and singular style in translation,insightful theories on translation,and outstanding translation works,Fu Lei established himself as an authoritative translator of the French literature,especially of Balzac,in China,and has cast a far-reaching influence in the Chinese circle of translation and in the Chinese readers.
在半个多世纪的漫长时间里,傅雷视翻译为崇高神圣的事业,以自己显赫的译绩、别树一帜的译论、精益求精的译技、自成一家的翻译风格和堪称楷模的译德,奠定了他法国文学特别是巴尔扎克作品权威翻译家的地位,在中国译界和广大读者中产生了深远影响。
补充资料：马家窑型马家窑文化陶器
马家窑型马家窑文化陶器 马家窑文化是受仰韶文化影响发展起来的一种原始文化，所以亦称“甘肃仰韶文化”，年代约为公元前3190—1715年。马家窑文化暂可分为马家窑型、马厂型和半山型等。马家窑型马家窑文化因首先发现于甘肃临洮马家窑而得名。马家窑型陶器，都是手制，采用泥条盘筑法。以彩陶最具代表性。罐、瓶、壶等比例均衡，棱角分明，富有特色。彩陶底色以橙黄为主，常绘黑彩，也有墨白两色和黑彩中加绘红彩的。 纹饰具有柔和均匀的风格，波纹线特多；以漩纹的组合最为流利生动，结构巧妙，富有强烈的动感。这种漩纹罕见于其它彩陶。青海大通出土的舞蹈纹彩陶盆，是首次发现，对工艺美术史和舞蹈史的研究提供了极珍贵的实物资料。另有不少彩陶通体画满花纹，内彩很多，较为特殊。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条