1) common creation tendency
创作旨归
1.
Lu Hsun and Polish literature shared a common creation tendency.
显克微支关注并写出“下层社会的叫唤和呻吟”的创作旨归对鲁迅产生了极大的影响。
2) Productive theme
创作题旨
3) The rational intension
创作本旨
5) creative gist
创作主旨
1.
In terms of his creative gist and esthetic trend, Jia s writing can be grouped into the following two kinds: " the Shangzhou Series" characterized by revealing the spiritual orbit of Shangzhou people and "the Cultural Worries and Anxiety Series" featured by highlighting on the fate of culture during the transformation of society and culture.
从小说的创作主旨和审美流向看，其创作从整体上呈现着两个阶段性特征，即以关注商州人心灵轨迹史为主的“商州系列小说”和以关注社会文化转型时期文化命运为主的“文化忧思系列小说”。
6) original persuading
创作宗旨
1.
In the times lived by Li Ru-zhen,with the traditional humanism lost,the original persuading and punishing intention of "Flowers in the Mirrors" was displayed to pursue Confucianism studies in the novel.
《镜花缘》的创作宗旨体现了儒家文化的仁智追求。
补充资料：旨归
【旨归】
（术语）教意所趣谓之旨归。法华玄义八上曰：“体者一部之旨归，众义之都会也。”同止观二曰：“旨归者文旨所归也，如水流趣海，火灾向空。”辅行曰：“旨者意也，归者趣也，教意所趣名为指归。”
（术语）教意所趣谓之旨归。法华玄义八上曰：“体者一部之旨归，众义之都会也。”同止观二曰：“旨归者文旨所归也，如水流趣海，火灾向空。”辅行曰：“旨者意也，归者趣也，教意所趣名为指归。”
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条