1) trilogy Mourning
《悲悼》三部曲
1.
O Neil,the father of American drama,has put some modern psychological elements in this old topic in his famous trilogy Mourning to further explore the most secret part of human soul.
“美国戏剧之父”奥尼尔在其著名悲剧《悲悼》三部曲中,为古老的俄瑞斯忒斯主题注入了现代心理学因素,更深刻地探索到了人类灵魂的最隐秘处,从潜意识层面反映出人类精神上的存在困境,并以重塑自由意志和自愿选择受难的方式,最终从根本上实现了对命运的抗争和对心灵的救赎。
2) thespian trilogy
悲剧三部曲
1.
Therefore, the last three symphonies are called "thespian trilogy".
因此，后人也称这后三部交响曲为“悲剧三部曲”。
3) Mourning Becomes Electra
《悲悼》
1.
On the Protagonists Resolution in Desire Under the Elms and Mourning Becomes Electra;
《榆树下的欲望》与《悲悼》归属感主题探讨
2.
Spiritual Mutation vs Psychical Salvation——The Orestes Theme:Its Modernist Representation in Eugene O Neill s Mourning Becomes Electra;
精神的异变与心灵的救赎——论俄瑞斯忒斯主题在奥尼尔《悲悼》三部曲中的现代性呈现
3.
Sins and Redemption in Modern Drama——A Prototypical Reading Of Eugene O Neill s Mourning Becomes Electra;
现代悲剧里的罪与罚——尤金·奥尼尔的剧作《悲悼》的原型解读
4) three tragedies
三部悲剧
5) the sentiment of mournfulness
悲悼情怀
1.
The complex of saving the state and benefiting the people, the mood of resentment, the sentiment of mournfulness and the emotional appeal of nihility construct the dominant emotional tendency of the work.
其中弥漫于作品中的匡世济民的补天情结、伤时骂世的不平之气、怀金悼玉的悲悼情怀和万境归空的虚无情等为作品的主导情感取向。
6) Trauerspiel
悲悼剧
补充资料：悲悼
伤心地悼念：～亡友。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条