1) historical drama
史剧
1.
There exist two modes of thinking,historical dramatization and dramatic "historicization"(caused to be or to be like the history)in the production of histortical drama.
在史剧创作中存在着“历史戏剧化”和“戏剧历史化”两种不同的思维方式。
2.
The literal men in Guo Qihong s historical dramas are celebrated for their writings in history.
郭启宏的“文人”系列史剧以历代卓有声名的文人为主角, 通过其悲剧命运的书写折射出封建社会体制、政治制度、文化传统对文人命运的决定性影响以及它之内化生成的独特的文人性格。
2) history drama
史剧
1.
This article is about the theory of Guo Moruo,the famous history drama writer,who wrote many plays on Chinese history.
文章对中国现代历史剧作家郭沫若的史剧观做了综合的分析与评价 ,指出了他诗、史结合的创作方法对中国现代戏剧的理论贡献 ,揭示了其“失事求似”的史剧理念的合理性 ,但对其在艺术实践中的偏颇和失度 ,予以客观分析和批评 ,勾勒了他由唯美主义的艺术观念向阐释学批评转变的思想轨迹。
3) historical play
史剧
1.
In the May 4th Movement and 1920s, Romanticism not only gives birth to historical play of May 4th Movement, but also has aesthetic influence on modern tragedy.
西方浪漫主义思潮对中国现代话剧的影响 ,可以划分为两个阶段 :“五四”及 2 0世纪2 0年代 ,浪漫主义不仅催生了五四史剧 ,也给现代悲剧以审美情感的滋养 ;到了 30、 40年代 ,虽然浪漫主义的影响大为减弱 ,但从田汉、郭沫若、吴祖光等人身上 ,还是强烈地体现出了浪漫主义精神。
4) Historical Drama
历史剧
1.
On the Inspiring Effect of Guo Moruo s Historical Dramas during the War of Resistance Against Japanese Aggression;
试论郭沫若抗战时期历史剧现实战斗性的实现
2.
Between History and Reality-Adaptation strategies of the historical drama The Orphan of the Zhao s;
在历史与现实之间——历史剧《赵氏孤儿》的改编策略
3.
As a historical comedy,it was a breakthrough against the former type of narrow minded view on historical dramas.
作为历史剧 ,《孟丽君》突破了当时狭隘的史剧观 ,其娱乐化的喜剧审美倾向在沉闷的十七年剧坛中具有另类的创新意义。
5) historical play
历史剧
1.
On The Model Significance of The Palace of Eternal Life and The Peach Blossom Fan in the Creative Patterns of Historical Plays;
论《长生殿》、《桃花扇》在古代历史剧创作中的典范意义
2.
Subject of the Guo Moruo s historical play Peacock Gallbladder;
论郭沫若历史剧《孔雀胆》的主题
3.
On the Female Images in GUO Muo-ruo s Historical Plays;
试论郭沫若历史剧中的女性形象
6) chronicle play
历史剧
1.
The Emotive Features of Guo Moruo s Chronicle Plays During Anti-Japanese Invasion War;
郭沫若抗战时期历史剧的情感特征透视
2.
The order factor is important connotation of realistic solicitude significance in Shakespeare chronicle play.
莎士比亚的历史剧,特别是他的"第一个四部曲"就体现了这种悲剧的内涵。
3.
On the other side,It is becoming another important aesthetics principle of audience who are interested in viewing the play because they find the same feeling between the chronicle play and the real society.
现今,当代性一方面成为历史剧创作者的一个重要的美学原则——剧作家在对历史的阐述中表达对现实的思考;另一方面也成为观众对历史剧欣赏的一个重要的美学标准——观众往往因为在历史剧中发现与现实的相通之处而增加观赏的兴趣。
补充资料：史剧
1.历史剧。以历史为题材的戏剧。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条