1) chronicle plays
历史喜剧
1.
Critics always argue whether or not there is essence of comedy and feature of aesthetics in his chronicle plays “Cai Wenji" and “Wu Zetian".
他的历史喜剧《蔡文姬》和《武则天》 ,究竟有没有喜剧精神 ?符不符合喜剧的美学特征 ?有别于他人对此问题的歧见、回避 ,笔者的看法是肯定的。
2) Historical Drama
历史剧
1.
On the Inspiring Effect of Guo Moruo s Historical Dramas during the War of Resistance Against Japanese Aggression;
试论郭沫若抗战时期历史剧现实战斗性的实现
2.
Between History and Reality-Adaptation strategies of the historical drama The Orphan of the Zhao s;
在历史与现实之间——历史剧《赵氏孤儿》的改编策略
3.
As a historical comedy,it was a breakthrough against the former type of narrow minded view on historical dramas.
作为历史剧 ,《孟丽君》突破了当时狭隘的史剧观 ,其娱乐化的喜剧审美倾向在沉闷的十七年剧坛中具有另类的创新意义。
3) historical play
历史剧
1.
On The Model Significance of The Palace of Eternal Life and The Peach Blossom Fan in the Creative Patterns of Historical Plays;
论《长生殿》、《桃花扇》在古代历史剧创作中的典范意义
2.
Subject of the Guo Moruo s historical play Peacock Gallbladder;
论郭沫若历史剧《孔雀胆》的主题
3.
On the Female Images in GUO Muo-ruo s Historical Plays;
试论郭沫若历史剧中的女性形象
4) chronicle play
历史剧
1.
The Emotive Features of Guo Moruo s Chronicle Plays During Anti-Japanese Invasion War;
郭沫若抗战时期历史剧的情感特征透视
2.
The order factor is important connotation of realistic solicitude significance in Shakespeare chronicle play.
莎士比亚的历史剧,特别是他的"第一个四部曲"就体现了这种悲剧的内涵。
3.
On the other side,It is becoming another important aesthetics principle of audience who are interested in viewing the play because they find the same feeling between the chronicle play and the real society.
现今,当代性一方面成为历史剧创作者的一个重要的美学原则——剧作家在对历史的阐述中表达对现实的思考;另一方面也成为观众对历史剧欣赏的一个重要的美学标准——观众往往因为在历史剧中发现与现实的相通之处而增加观赏的兴趣。
5) Historical plays
历史剧
1.
Some are really poems"——A brief discussion on poetic aesthetic qualities of historical plays written by Guo Mo-ruo;
“倒有些确实是诗”——略论郭沫若历史剧诗性审美品格
2.
There are many excellent poetic dramas and historical plays produced during Yuan Dynasty, mainly on seigneurs hegemony during the Chunqiu Period, the historical events in the courts, and battles between different races.
元杂剧历史剧佳作纷呈,其作品主要以春秋诸候争霸、各代宫廷忠奸斗争或民族斗争的历史作平台,艺术地再现了鲜明的复仇意识与爱国情结,这是特定的历史时代的产物,也是对中国传统文化先进性的寻绎与张扬。
3.
The paper analyses Shakespeare s historical plays with structuralism theory and concludes Shakespear s political ideology and patriotic view of resisting feudalism systems represented in his historical plays.
从结构主义出发 ,分析了莎士比亚历史剧的故事结构以及剧中所反映的反对封建割据 ,拥护中央集权的政法主张和爱国思想。
6) history plays
历史剧
1.
He mostly employs it as a metaphor for the human body,the earth,or the universe,and especially,in his history plays,as a symbol of England or the Commonwealth.
他大多把它用做人体、世界或宇宙的隐喻,而在历史剧中,尤其用做英格兰或国家的象征。
2.
During the time from the end of Qing Dynasty to mid-sixties of the 20th century,the study on Shakespeare s history plays in China slowly came into being.
从清朝末年到20世纪60年代中期,我国的莎士比亚历史剧研究经历了从无到有的历程。
3.
Since 1978 the study of Shakespeare s history plays in China has developed more rapidly than ever before.
我国的莎士比亚历史剧研究自1978年以来得到了空前的发展。
补充资料：悲喜剧
戏剧类别之一，兼有悲剧和喜剧的因素。一般具有圆满的结局。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条