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1)  epic drama
史诗剧
2)  a comic epic-poem in prose
散文体喜剧史诗
3)  poetic drama
诗剧
1.
"The Happy People" by He Qifang is a poetic drama about the pursuit of a new life together by some revolutionary youth.
何其芳《快乐的人们》是一部诗剧,内容上集中表现了革命青年对集体生活的追求向往, 形式上达到了诗情与剧情、意象与形象、诗语与剧语的有机融合。
2.
By sorting the historical teleplays that have turned up presently,we can divide them into following four types: serious drama; funny drama; between serious drama and funny drama;poetic drama, expecting to show more clearly historical teleplays in current polybasic culture circumstances.
近十年大陆出现的历史题材电视剧可以分为"正剧"、"戏说"、介于"正剧"和"戏说"之间、"诗剧"这四种类型,清晰展示了在当前多元文化语境中的历史电视剧的多元特征。
3.
The tide is coining, a poetic drama by Xu xu, plays an important part in the modern poetic dramas.
《潮来的时候》是徐訏创作的一部诗剧,在现代诗剧中占有重要地位。
4)  dramatic poem
剧诗
1.
The most typical dramatic poems are the Southern Za Ju created by Ming literati, many of which are called desk dramas and looked down upon by performers because they can not be performed on stage,but actually are not without innovations as poetic creations.
剧诗归根结蒂属于诗,衡量剧诗的标准只能是诗,不以赋形舞台为直接目的。
2.
In this paper,the author chooses the English version of Song of Yueren from the film The Banquet as an example to analyze its translation strategy and the exsiting problems,simply discussing the dramatic poem translation in movies and dramas.
本文拟从影片《夜宴》中的主题曲《越人歌》的英译来剖析一下其翻译的策略及存在的问题,简单地探讨一下影视剧字幕翻译中剧诗的翻译原则,在此基础上,作者试图对影片中的译文做出相应的修改。
5)  historical drama
史剧
1.
There exist two modes of thinking,historical dramatization and dramatic "historicization"(caused to be or to be like the history)in the production of histortical drama.
在史剧创作中存在着“历史戏剧化”和“戏剧历史化”两种不同的思维方式。
2.
The literal men in Guo Qihong s historical dramas are celebrated for their writings in history.
郭启宏的“文人”系列史剧以历代卓有声名的文人为主角, 通过其悲剧命运的书写折射出封建社会体制、政治制度、文化传统对文人命运的决定性影响以及它之内化生成的独特的文人性格。
6)  history drama
史剧
1.
This article is about the theory of Guo Moruo,the famous history drama writer,who wrote many plays on Chinese history.
文章对中国现代历史剧作家郭沫若的史剧观做了综合的分析与评价 ,指出了他诗、史结合的创作方法对中国现代戏剧的理论贡献 ,揭示了其“失事求似”的史剧理念的合理性 ,但对其在艺术实践中的偏颇和失度 ,予以客观分析和批评 ,勾勒了他由唯美主义的艺术观念向阐释学批评转变的思想轨迹。
补充资料:金属材料发展史(见材料发展史)


金属材料发展史(见材料发展史)
history of metallic material

金属材料发展史historyor metalli。material见材料发展史。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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