3) poem in painting
题画诗
1.
Discussion on the aesthetic value of poem in painting——Concurrent discussion on the aesthetic implication of poem written by Lin Sheng in painting;
试论题画诗的审美特质——兼论林声题画诗的审美意蕴
2.
In the history of Chinese literature and art,writing poem in painting can go back to ancient times,Qu Yuan s Tian Wen may be regarded as the confirmable origination;since Six Dynasties down to Tang and Song Dynasty,it occurred commonly.
林声是诗文书画并作的艺术家,而作画又自题诗,并专成一本自题画诗集则于史少见。
4) poems on paintings
题画诗
1.
It is generally acknowledged by scholars that poems on paintings and the combination of poems and paintings are unique in Chinese art while they are absent in the West.
而在众多题画诗中,山水题画诗尤为突出。
2.
With an overall view of the poetry creation of Gu Kuang,we can get the conclusion that he got superior art achievements in poems on paintings.
通观顾况的诗歌创作,他的题画诗艺术成就极高,想象丰富浪漫,风格奇特怪异,语言通俗易懂、生动活泼,充分体现出他独特的艺术感受力和欣赏力,颇具有“盛唐风骨”。
3.
Li Bai is one of the most influential romantic poets in ancient China and his poems on paintings are unique in style and word choices.
作为我国古代最富有浪漫气韵的诗人李白,其题画诗的风格超迈飘逸,用词也值得反复玩味。
6) painting poems
题画诗
1.
Research of Aesthetics in Huang Tingjian s Painting Poems;
黄庭坚题画诗中的美学思想研究
2.
Liu Houcun s painting poems best illustrate his literary character,providing us with the earliest and also the most vivid memories of the ancient paintings that have long been lost.
题画诗是刘后村文化个性最集中的体现 ,他的题画诗为我们留下了许多古代早已失传的古画的最初也是最生动的记忆。
补充资料：自题小草亭
【诗文】：
新结一茅茨，规模俭且卑。
土阶全垒块，山木半留皮。
阴合连藤架，丛香近菊篱。
壁宜藜杖倚，门称荻帘垂。
窗里风清夜，檐间月好时。
留连尝酒客，句引坐禅师。
伴宿双栖鹤，扶行一侍儿。
绿醅量盏饮，红稻约升炊。
龌龊豪家笑，酸寒富室欺。
陶庐闲自爱，颜巷陋谁知。
蝼蚁谋深穴，鹪鹩占小枝。
各随其分足，焉用有余为？
【注释】：
【出处】：
全唐诗
新结一茅茨，规模俭且卑。
土阶全垒块，山木半留皮。
阴合连藤架，丛香近菊篱。
壁宜藜杖倚，门称荻帘垂。
窗里风清夜，檐间月好时。
留连尝酒客，句引坐禅师。
伴宿双栖鹤，扶行一侍儿。
绿醅量盏饮，红稻约升炊。
龌龊豪家笑，酸寒富室欺。
陶庐闲自爱，颜巷陋谁知。
蝼蚁谋深穴，鹪鹩占小枝。
各随其分足，焉用有余为？
【注释】：
【出处】：
全唐诗
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条