1) historical position
诗史定位
1.
Confirming Tang poetry s historical position under the principle "educating by poetry";
因此,在沈德潜的诗学体系中,唐诗获得了崇高的诗史定位。
2) History of poetry
诗史
1.
The spirit of "history of poetry" the emotion of loyalty——Study on Zhang Huangyan s poems;
诗史之风 忠烈之情——张煌言诗歌分析
2.
Establishment of The spirit of "History of Poetry" —— discussing Du-Fu s being accepted in Late Tang Dynasty and Wu Dynasties;
“诗史”精神的确立——杜甫在唐末五代的接受探析
3.
In the first place it quotes a concept of “history of poetry” defined in both extension and connotation.
首先引入“诗史”的概念,从外延和内涵两个方面予以定义,以严密的逻辑思维界定一叶诗符合“诗史”的必充条件。
3) poetic history
诗史
1.
Liang Qichao s conception of poetic history;
梁启超的“诗史”观——《饮冰室诗话》的若干诗学思想分析
2.
The poems about the war between the Song Dynasty and Western Xia were of clear nature of poetic history and they have the following features: born in national crisis and record of historic facts;strong fee.
以诗传史、以诗证史的"诗史"观念是中国古代重要的诗学传统,其发展到宋代日趋成熟,宋夏战事诗正是宋人"诗史"观念的产物,它融铸着文人士大夫深沉的忧患意识与浓郁的爱国情怀。
4) "poetic history"
“诗史”
1.
Wang Fuzhi carried out a detailed criticism of "poetic history",the differentiation of stylistic features among different poetic genres,and features of poeic style in expression and artistic effects produced within individual texts.
王夫之对“诗史”的批驳,对不同类型诗歌文体特点的精审辨析,对诗歌文体在语言表达方式上的特征,都结合具体作品进行了细致分析,他的辨体批评体现了学者的严谨,形成了从体裁规范的角度分析评价作家作品的批评个性。
5) epic
诗史
1.
Scholars with similar destinies in the late Tang Dynasty and the Five Dynasties established DU Fu s status as a poet of epics and created a great many realistic literary works by imitation.
相似的文人命运使唐末五代文人首先确立了杜诗的"诗史"地位,并效仿之创作了大量的现实主义作品。
2.
Sushi s criticism of Du Fu s epic is manifested in 4 aspect:Du s similarity with Sima Qian,testification of poetry with historical affairs,interpretation of Du s works with loyalty,record of celebrity and affairs with Du s works.
苏轼的杜诗诗史批评主要集中在四个方面:老杜似司马迁;以史证诗;以忠义解杜诗;杜诗用事载人。
3.
Wu s viewpoints about literature, the paper shows what is epic: on one hand, the poem narrates the affairs in the history, on the other hand, the poet has ardent feelings in the poem.
诗史特征是梅村体的首要特征。
6) the poetic history
诗史
1.
Both of the authors and researchers have the same poetic history is the unofficeial history concept that the poetic history of the time of conquering the world, besides,it should record the actual events and express their own feeling as well.
研究古代文学中的“诗史”问题,宋季诗史是最重要的对象。
参考词条
补充资料：《道、咸、同、光四朝诗史一斑录》
近代诗总集。编者孙雄，原名同康，字师郑。江苏昭文（今常熟）人。光绪二十年(1894)进士，官学部主事，工诗文，并治考据。撰有《师郑堂集》、《眉韵楼诗话》、《旧京文存》等。
孙雄早有继《湖海诗传》后纂集道光、咸丰以来诸家诗，编为"诗史"之志。光绪末，任职学部，遂得暇陆续纂辑，稿本初名《道咸以来所见诗》。光绪三十四年起,以钢板手写油印出版；为完成其"诗史"宿愿,改名《道、咸、同、光四朝诗史一斑录》。正编4册,从阮元以下94家，至宣统三年(1911)止，共印至20编，各编收数十家不等。宣统二年，又将油印之第1至8编整理增删,合刻为《道、咸、同、光四朝诗史》甲集；次年,将第 9至16编刻为乙集，此书有保存一些诗史资料的价值，但由于编者思想守旧，所录篇什多数为师友寄赠而未加抉选，反映时代课题的很少，文字讹误亦多。
孙雄早有继《湖海诗传》后纂集道光、咸丰以来诸家诗，编为"诗史"之志。光绪末，任职学部，遂得暇陆续纂辑，稿本初名《道咸以来所见诗》。光绪三十四年起,以钢板手写油印出版；为完成其"诗史"宿愿,改名《道、咸、同、光四朝诗史一斑录》。正编4册,从阮元以下94家，至宣统三年(1911)止，共印至20编，各编收数十家不等。宣统二年，又将油印之第1至8编整理增删,合刻为《道、咸、同、光四朝诗史》甲集；次年,将第 9至16编刻为乙集，此书有保存一些诗史资料的价值，但由于编者思想守旧，所录篇什多数为师友寄赠而未加抉选，反映时代课题的很少，文字讹误亦多。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。