The Applying and Explaining to Three Categories of "Yun","Qu","Wei" by LU Shiyong s Poetry Criticism;

QIN Guan Ci embodies "rhyme" from the perspective of feeling for the external things and way of expressing it: rhyme caught inside the heart of the poet and it is elusive and enthralling; agile rhyme which is, expressive and connotative.

The rhyme is the main idea in books com- mented by Huang Tingjian.

On the basis of an analysis and summarization of Chinese poems,this paper elaborates the ten functions of rhyme.

"Dynamic","rhythm"and"artistic fun"are much valued,which is borrowed into poetic theory.

The "vivid rhythm" and the "Bone-liked Style of Drawing" of the six principles have been the fundamental pursuance in Chinese painting.

Wang Zhuo put forward the following esthetical criteria of Ci - poetry:human disposition, nature, a mean rule or justice, elegance and rhythm, and made some practical searches on these criteria for the purpose of creation and appreciation of Ci - poetry.

This paper discusses how to melt the charm of traditional graphs into designing modern,independent,up-to-date international symbols.

Some similarities and dissimilarities can be found from the comparison between Chinese classical theory of "charm" and that of India,which have no conspicuous external factual connection.

In Southern Dynasties,it became the significant aesthetic category of Chinese ancient painting since the theory of "vigor and charm" had been put forward by Xie He.

The "Yun" Category and Its Poetics Spirit in Song Dynasty;

The Quartet "Yun" - the thinking and using of the creation techniques;