1) witchery history of ancient China
远古巫史
3) from witchery to historical record
由巫到史
1.
The thesis discusses the important role of The Book of Changes in the transitional process from witchery to historical record during the transitional period from the Yin dynasty to the Shang dynasty.
《易》作为"根源于六爻的占卜系统",在殷周之际由巫到史的转型过程中,以其自身的发展极大地影响了巫卜职能的承继和替代,使其记事之史的功能得以增强,并促进了卜官知识的丰富化和理性化。
4) original religious spirits
巫史精神
1.
Laozi,under the deep cultural influence of strongly wicked customs Chenchu areas,endowed his aesthetic thoughts with the fusion of original religious spirits,and along with the trend of cultural integration in Huaxia,he had also added Guicang ideas featuring Shang-culture into his thoughts.
老子由于受到巫风浓厚的陈楚地域文化影响,其美学思想体现为巫史精神融合的特点;随着华夏地域文化大融合的趋势出现,老子又融入了以商文化为特征的《归藏》思想。
5) Wizard Culture
巫史文化
1.
Investigation on the Primitive States of the Formation of Wizard Culture——On the Origins of Shaman Culture.;
巫史文化生成的原生形态诸问题考察——兼及萨满文化起源问题
6) sorcery history
巫史传统
1.
The paper makes a substantial analysis on the background of the agriculture society and the classic sorcery history to recur the importance of music in China and to find the relation of music and sanguineness.
本文从“乐”的字源学开始 ,在中国以农业立国和巫史传统的社会、文化背景下重现音乐对于古代中国人的重大意义 ,找到“乐”(yue)和“乐”(le)的关系 ,并通过和西方基督教文化之“原罪”意识的比较 ,了解“乐”(le)是天人合一思维方式的表现 ,是人格的自觉和执着于现世人生的标志。
补充资料:史巫
1.祝史和巫觋。古代司祭祀﹑事鬼神的人。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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