1) justice of regulation
规制正义
1.
Further reform of Chinese government regulation should scrupulously abide by the idea of "justice of regulation".
我国政府规制进一步改革面临的挑战是:必须恪守"规制正义"的理念,社会性规制应向弱势群体倾斜,经济性规制应坚持"公平优先,确保效率"的新原则。
2) rules of justice
正义规则
1.
The author finds out its ethical implication based on his comprehensive and deep analysis on the inner relationship between property rights and ethics,humane foundation of property rights,rules of justice,responsibility of economic subjects,etc.
在对产权和伦理的内在关系、产权的人性基础、正义规则及其主体责任等方面比较全面深刻的解读后,发掘了产权制度的伦理意蕴。
4) theory of normative justice
规范的正义
1.
In this context,Honneth emphasized the contemporary value of Hegel\'s political philosophy,and endeavored in the re-actualization of Hegel\'s Philosophy of Law,he interpreted it as a theory of normative justice.
在这种背景下,霍耐特强调黑格尔政治哲学的当代价值,致力于黑格尔法哲学的再现实化,将黑格尔法哲学诠释与重构为规范的正义理论。
6) Systematic Justice
制度正义
1.
However,the factual existence of the social inequalities have already formed a kind of gigantic hindrance to the realization of the Systematic Justice and the Procedural Justice ethnically;and by means of the Poetic Justice and with the help of the cooperation and dialogue between the ethnics and literary criticism,it is likable that the social harmony will come fin.
从对"现代性道德"的批判开始,文学伦理学批评的最终理想是社会和谐理想的最终实现,但因现实的社会关系之中不平等现象的存在,因此无论是伦理学意义上"制度正义"的达成或者"程序正义"的实现都有过于"理想化"的嫌疑,而借助"诗性正义"并通过伦理学领域与文学批评领域之间的合作与对话,人类也将最终达到和谐理想的境界。
2.
Marxian justice concept is an inheritance of the justice thought of classical natural law,and is a scientific system of the triplicity as value justice、 systematic justice and people s free and entire development that constructed on the basis of animadversion on latter-day bourgeois justice concept.
马克思主义正义观是在对古典自然法正义思想的继承,是对近代资产阶级正义观批判基础上建构的包括价值正义、制度正义和人的自由全面发展的"三位一体"的科学体系。
补充资料:穿戴规制
穿戴规制 演员运用戏曲服装以装扮剧中人物的基本规则或定例。是中国戏曲艺术的程式化在服装穿戴上的体现。 穿戴规制的具体内容是服装的样式、色彩、花纹、质地都有一定的规则,如翅子的样式基本分3类,即向上、平直、向下,就是区别人物身分的重要标志。戏曲服装的用色规律,大体上可归纳为:表现等级,表现风俗,表现情境,表现精神、气质,表现舞台整体效果的美。如元帅升帐时,一群大将穿着不同颜色的靠即是使舞台色彩丰富。纹样在戏曲服装中也有规制,蟒和官衣看似相同,但有区别;同是蟒袍,只有皇帝用黄色,纹样也不同于净行,着平金大龙蟒,显得有气势;生行多穿团龙蟒,用彩线绣水脚,显得文静。纹样既是美饰,又具有象征意义。
穿戴规制具有一定的稳定性,但并非一成不变,随着时代的发展和新剧目的不断涌现,戏曲服装也不断丰富而逐步细密化。每个演员也可以根据自身不同的特点,作出某些改动。由于戏班的衣箱有限,在演出袍带大戏时,蟒、靠不敷应用,亦可酌情变通。个别剧种一味追求火爆,乱穿乱戴的现象,亦有可见。 |
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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