2) rhyme mode
押韵方式
1.
By analysing and suming up his Beisanqu,we know that there are altogether eight kinds of rhyme mode among his two handred and four Xiaolings.
通过分析归纳其北小令用韵情况可知:在204首北小令作品中(不含带过曲),押韵方式共8种,有8类42首超越元代周德清《中原音韵》的部界,用韵过宽。
2.
From his Xiaoling of BeiSanqu,we know that he practices seven kinds of rhyme modes among his 233 Xiaolings,some of which go beyond Zhou Deqing s Phonology of Central Plains in Yuan Dynasty.
通过梳理、分析、归纳他的北散曲小令用韵可知:在其233首北小令中,共用押韵方式7种,有9类21首超越元代周德清《中原音韵》的部界,用韵稍宽。
3.
By analyzing and summing up his Beisanqu,we know that there are altogether six kinds of rhyme modes among his one handred and sixty-one Xiaolings.
通过统计、分析、归纳得知:在其161首小令中,押韵方式共6种,有5类7首超越《中原音韵》的部界,用韵稍宽。
4) Rhyme
[英][raɪm] [美][raɪm]
押韵
1.
Rhyme in Advertising English and Translation Approaches;
广告英语中的押韵修辞及其翻译对策
2.
Characteristics of the rhyme in the ballads in Huizhou district;
徽州民间歌谣的押韵特征
3.
The proper arrangement of syllables,feet and pauses brings about the cadent beauty of rhythm;various rhyming methods are used to create the beauty of reverberant rhyme,and the frequent applicaition of some figures of speech closely connected with phonetic stylistical funcitons adds to the musicalness of advertising English.
音节、音步、停顿的合理安排使广告英语具有抑扬起伏的节奏美 ,各种押韵手段的巧妙运用使之具有回环照应的音韵美 ,而一些与语音文体功能关系密切的修辞手法的使用则强化了广告英语的美音效
5) rhyming
[英]['raimiŋ] [美]['raɪmɪŋ]
押韵
1.
In his practice of rhyming,Zang Kejia uses die rhyming and zhuan rhyming in most cases,sui rhyming and jiao rhyming in several cases and bao rhyming in very few cases.
臧克家新诗的押韵,以叠韵和转韵居多,随韵和交韵次之,很少用抱韵。
2.
But he doesn t make clear his own attitude toward the question of rhyming.
但对押韵问题，未明确表态。
6) rhyme
[英][raɪm] [美][raɪm]
韵脚,押韵
补充资料：押韵
也作“压韵”。作诗词曲赋等韵文时在句末或联末用同韵的字相押，称为押韵。诗歌押韵，使作品声韵和谐，便于吟诵和记忆，具有节奏和声调美。旧时押韵，要求韵部相同或相通，也有少数变格。现代新诗押韵，不受古代韵书限制。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条