On Chen zi-ang s Poetic Theory——"Fenggu", and "Xingji";

FENG Shu and FENG Ban s poetic theory and criticism plays an important role in the establishment and development of Yushan School of Poets.

One of the most important theoretical achievements of Western literary criticism in the 20th century is the formation of neo-criticism poetic theory.

The author discusses the relation between Sushi’s philosophic poems and Wei and Jin’s metaphysics poems, and discusses the differentiations between the "reason" of Sushi’s philosophic poems and Neo-Confucianism of Song Dynasty in order to defi ne the Sushi’s philosophic poems and understand these poems are the organic combination of emotions, backgrounds and reason.

The philosophic poem,as well as Ci and Qu,were analyzed,the unique aesthetic characteristics of that were concluded: the poetical beauty of philosophy,the beauty of emotion of philosophy,and the divertingness of philosophy.

Under the guide of western modernism poetry theory,combined the working practice of Chinese new poems,summarized their own poetry theory,made an important contribution to the development of Chinese modernism poetry.

The poets admire the poetry theory of "New Poetry modernization",explore and establish the new beauty poem principles of reality,symbol,synthesis of metaphysics.

The author of this article,however,after a careful reading of the original poetic classics,finds out that the poetic philosophy of the two schools complement each other while opposing each other.