1) Fuzzy Aesthetics
模糊美学
1.
On the English Translation of Imagery in Classical Chinese Poetry: From the Fuzzy Aesthetics Perspective;
从模糊美学的角度论古诗意境的英译
2.
This paper discusses Chinese poetry s translation into English on the theory of fuzzy aesthetics.
在模糊美学理论的基础上探讨中国古诗翻译问题。
3.
With the development of fuzzy aesthetics, the concept of fuzzybeauty is adopted and becomes the main object of fuzzy aestheticsresearch without anyone being certain of its main characteristics.
随着模糊美学的发展，模糊概念引入美学领域，模糊美成为模糊美学研究的主要对象，不确定性是模糊美的主要特点。
2) Structural Fuzziness Aesthetics
结构性模糊美学
3) fuzzy beauty
模糊美
1.
Figures of comparison are frequently use in Chinese classical verse to highlight imageries and convey aesthetic information, especially fuzzy beauty.
比喻在中国古典诗歌中十分常见,是诗人突出意象,传达诗歌美感信息,特别是模糊美的重要手段。
2.
The fuzziness of poetry language, which contains the fuzzy beauty, composed the aesthetic poetics of the poetic art.
诗歌语言的模糊性蕴含了诗歌艺术的模糊美,构成了诗歌艺术的审美诗性。
3.
Due to the fuzzy beauty in the reading textbook,the process of reading is full of fuzzy nature,therefore,it is bound to exist in elementary and middle schools reading teaching.
由于阅读文本具有模糊美,阅读过程充满模糊性,所以中小学阅读教学中必然存在模糊性,尊重它的存在并适当运用模糊性教学艺术,既有利于还原语文教学的审美功能,有利于完善语文教学效率的评价体系,也有利于培养学生的独特感受力,发展学生的创造思维力。
4) vague beauty
模糊美
1.
Qin Guan is at the top among the ci writers in Song Dynasty,and his works can best embody the vague beauty of Song ci.
秦观是宋代词中人的佼佼者,其词最能体现宋词的模糊美。
2.
Speaker and hearer make use of some speech-generating styles,such as homophones,vague words,rational variance in meaning and grammar and creating context and artistic mood to build a vague beauty effect.
模糊性伴随着审美表达和审美接受过程,表达审美信息的艺术语言是一种具有模糊美的载体。
3.
With the development of Vague Aesthetics, the concept of vague beauty is adopted arid becomes the main object of Vague Aesthetics research with uncertainty as its main character.
随着模糊美学的发展,模糊概念引入了美学领域,模糊美成为模糊美学研究的主要对象。
6) The theory of fuzzy fine arts
模糊美术
补充资料：《当代西方电影的美学思想》
中国电影理论专著。李幼蒸著。中国社会科学出版社1986年出版。全书分《绪论》、《电影语言》、《电影表现与现实》、《电影"作者"、作品与观众的结构分析》、《反传统电影潮流》和《先锋派电影的实践与理论》 6章21节；介绍了当代西方电影美学研究的重要发展和面临的基本问题；论述了60～70年代西方主要电影美学理论，特别是结构主义和符号学电影理论的基本概念和观点，还涉及电影中的科学研究、哲理表达等问题。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条