This essay is intended to analyze Eliot s “Impersonal Theory of Poetry” by starting from the categorization of impersonality,namely,consensual impersonality and reality correspondence impersonality.

Furthermore, it forms a more historic multi-subject dialogue, which tallies with the emphasized traditional awareness in the “impersonality” theory of the poet himself.

Dramatic presentation stands as a balanced resolution to propositions like impersonality and poetry as personal utterances,poetry as a moralizing agent,and the reception of the reader.

Eliot proposes"depersonalization"theory to shed light on this question.

Eliot s literary outlook of the new criticism is the refutation against the traditional literary criticism,which transformed criticism from the author to the text;his major points of new criticism are "depersonalization"and "imagism";the development of new criticism is based on poems and essays,and for modern poems,hence,he became the founder of new criticism.

His reinterpretation of "tradition" is epoch-making; his anti-romantic idea of "depersonalization" and the notion of "objective correlative" are revolutionary in both literary criticism and poetry writing.

In values it reflects the conflict between individualization and non-individualization.

The theory of "non-individuality" is the key content of T.

Depriving of human subject position, abandoning the author, transforming the text, as well as relocating the reader, post-modernists provide "non-individuality" with polygenic demonstration in the philosophy, linguistics, as well as psychology perspective, and make it a self-evident commonplace.

Eliot s impersonal theory is put forward against romanticists theory of personification and theory of talent.

Eliot made use of paradox as the main structure,adding with symbolism, interior monologue and literary allusion, to reflect his poetic theory,e·g·"impersonal theory "and "objective correlative" of his early age.