Romanticism was counteracted deeply by Keats and Eliot,with " negative capability " and with " impersonality " theory respectively so that their doctrines became the first sign of The New Criticism.

Thispaper aims at proving the fact that literature creation should be fully observed byanalyzing the author s personal factors in the creation process from the stand of"impersonality" theory.

This thesis studies Virginia Woolf’s artistic theory of non-personality and its application to the Waves.

The article bases on the text To the Light House? bringing about the understanding of non-personality from two aspects, and it also tell us the skillful ways that Virginia Woolf uses to expose the changeable inner world of the human beings, showing the real human beings before us.

At the beginning of the 20th century,under the influence of modernist painting,Virginia Woolf forms her unique artistic view which embodies two sides in To the Lighthouse,namely,pursuing inner truth and non-personality of artistic creation.

Eliot s impersonal theory is put forward against romanticists theory of personification and theory of talent.

Eliot made use of paradox as the main structure,adding with symbolism, interior monologue and literary allusion, to reflect his poetic theory,e·g·"impersonal theory "and "objective correlative" of his early age.

The theory of "non-individuality" is the key content of T.

Depriving of human subject position, abandoning the author, transforming the text, as well as relocating the reader, post-modernists provide "non-individuality" with polygenic demonstration in the philosophy, linguistics, as well as psychology perspective, and make it a self-evident commonplace.