1)  ″Goal-Situation″
“情境-达标”
2)  goal-situation
情境-达标
3)  emotion
1.
Intergration of Reasoning and Emotion Professor Feng Jizhong and the Commencement and Development of Modern Architecture in China;
重理而倾情 冯纪忠先生与中国现代建筑思想的滥觞与发展
2.
Law, reason, emotion-presentation of people s court office building design of Gu Tian county;
法.理.情——兼谈古田县人民法院审判办公综合楼设计
3.
On The Collision Between Emotion And Buddha:Exploring the Emotion Su Man-shu’s novels;
情与佛的冲突——苏曼殊小说的情感探析
4)  feelings
1.
From "poems expressing wills" to "poems endowed with feelings;
从“诗言志”到“诗缘情”
2.
These incarnate as a large amount of feelings to move,intelligence to enlighten and cognition to benefit.
在散文文本中具体体现为大量的感人之情、启人之智和益人之识。
3.
Taking The Crimson Gauze as example,this paper re-interprets Su Manshu,much of a legendary personality in modern times and discusses the life centering on “feelings” from the following aspects:1.
从生存困境来源于“情”的缺乏与焦渴;爱情、友情并行于《绛纱记》,且插入素材说明主要素材;《绛纱记》结构空间充分地展示了苏曼殊对“情”的追求;《绛纱记》的悲惨结局也缘于一个“情”字等几个方面探讨了苏曼殊以“情”为核心的人生表现。
5)  feeling
1.
Abundant feeling,abstruse truth and various technique of the classical poem,longs and shorts and prose band together and apply to the teaching.
只有将古典诗、词、文中充沛的情感、深邃的义理、多样的表现手法结合起来,贯穿到教学中,才能达到《大学语文》的学习目的。
2.
They are identifiable in their understanding of the feelings and the relationships between feelings and music,in the comments on The Book of Song and in the discussion of the special features of The Book of Song .
在对于"情"以及"情"与"乐"关系的认识层面上,关于《诗》与礼的论述中以及关于《诗》的艺术特征上,它们的"《诗》论"都具有一致性。
3.
Jiangzhai take "idea" as the key elements commenting on the poem gist,and the "idea" is unfolded for "feeling" and "scenery".
王夫之《薑斋诗话》以"意"为论诗主旨,并把"意"展开为"情"、"景"两要素。
6)  qing
1.
From Which Surely Have According to “Qing” to Which Should Have According to “Li”: A Brief Discussion on Ji Yun s Myths in His Notes;
从“情之所必有”到“理之所宜有”──略论纪昀的小说虚构理论
2.
From the view of "qing" and "ci", the two main aspects of forming an article, "feng" stresses a standardization of aesthetics inner meaning for "Qing", showing a spirit of activity; While "gu" puts its stress on "ci", showing its character of stability.
"风"与"骨"是既有区别又紧密相联的文艺美学范畴,从构成文章的两大要素——情、辞角度看,"风"侧重对情的美学内蕴的规范,表现为一种灵动的活力;而"骨"则侧重于对辞的美学内蕴的规范,表现为一种静态的品质。
参考词条
补充资料:达标
1.达到规定的标准。 2.特指达到国家体育锻炼标准。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。