1)  principal curves
主元曲线
2)  pivot
主元
1.
First,the main procedures and the distinctive features of the most-obtuse-angle(MOA)row or column pivot rules are introduced for achieving primal or dual feasibility in linear programming.
首先回顾了采用最钝角行、列主元规则求解线性规画问题的原始、对偶可行解的主要过程,阐述了其与众不同的特性。
2.
Second, all the eigenvectors of each eigenvalue which are more ideal for the purpose of accurate scientific computation are obtained by using the thought of combining of the pivote with the method of minimum squa.
其次运用选主元与最小二乘法相结合的思想,获得了实际运用中较为理想的每个特征根所对应的全部特征向量。
3)  principal component
主元
1.
The dynamic behavior of a long span cable-stayed bridge(north bridge of Runyang Yangtse River Bridge) is calculated, the frequency response function(FRF) is compressed using principal component analysis(PCA),and the FRF is then reconstructed based on a few,principal components.
针对润扬长江大桥北汊斜拉桥进行动力分析,采用主元分析对其频响函数进行了有效降维,并根据降维后的主元重构了结构频响。
4)  main element
主元
1.
This paper presents a new method which determines the start feasible basic by means of finding main element in according to theory of linear algebra.
根据线性代数的理论,通过寻找主元末初始可行基。
5)  principal component analysis
主元分析
1.
Application of improved principal component analysis method to mould process monitoring in continuous casting;
改进的主元分析法在连铸结晶器过程监测中的应用
2.
The application of principal component analysis on sEMG signals analysis during slips;
主元分析在研究滑倒时肌电信号中的应用
3.
A method for truss structural damage detection based on principal component analysis;
基于主元分析的网架结构损伤识别方法
6)  key-factor enrichment
主元富集
1.
"Multi-factor controlling,four-factor entrapping and key-factor enrichment" of stratigraphic-lithologic reservoirs and exploration practice in Erlian Basin (Ⅰ)——"Multi-factor controlling" mechanism;
二连盆地地层岩性油藏“多元控砂—四元成藏—主元富集”与勘探实践(Ⅰ)——“多元控砂”机理
2.
"Multi-factor controlling,four-factor entrapping and key-factor enrichment" of stratigraphic-lithologic reservoirs and exploration practice in Erlian Basin(Ⅲ) ——"Key-factor enrichment" mechanism;
二连盆地地层岩性油藏“多元控砂—四元成藏—主元富集”与勘探实践(Ⅲ)——“主元富集”机理
参考词条
补充资料:元曲
元曲

    
中国元杂剧和元代散曲的合称 。两者均以当时流行的北曲配乐,出现了关汉卿、马致远、郑光祖、白朴等元杂剧作家和一大批优秀的散曲作家,创作出一大批对当时和后世影响较大的作品,因此人们常把元曲作为元代文学的代表,同唐诗、宋词并称。元曲中,尤以杂剧成就突出,所以也有人把元曲作为元杂剧的同义语。元代散曲是在北方金代的俗谣俚曲的基础上发展起来的,今存小令3800多首,套数450多套。作家留下名姓的有200多人 。许多杂剧作家在散曲创作上也有成就。散曲作家前期有关汉卿、马致远、白朴、卢挚、贯云石等,作品朴实,多本色语。后期有乔吉、张可久、睢景臣、张养浩及刘时中等人,文字稍露才华而辞藻清丽。因散曲多用于宴会歌伎唱词,艳曲较多。但也有一些写景、抒情和怀古、叹世的小令,以及少量讽世喻俗、指摘时弊、揶揄乱世英雄的套数,如马致远的《借马》、刘时中《上高监司》、睢景臣《高祖还乡》等,都有时代特色和较高艺术成就。
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