In the long history of Chinese culture,only the men had the power to abandon his wife with the reasonable or unreasonable excuses,whereas the women had no freedom to divorce;abandoned women were the historical witness of masculine culture.

SU Tong creates a few images of abandoned women in h is master piece Qi Qie Cheng Qun: YU Ru who is obedient,yet treat ed coldly by Chen Zuoqian, ZHUO Yun who uses up all her tricks to find favour wi th her husband, MEI Shan who dares to defy her husband and SONG Lian who gives u p her dignity for winning Chen Zuoqian’s love back.

As abandoned women,both of them choose revenge in pain,but due to the differences in moral values and Matrimonial systems between the East and the West and the different personality of Huo Xiaoyu and Medea,their revenges are quite different.

Until now, there are a lot of descriptions about the deserted women.

Although Chinese and Western literature lacked substantial engagement and exchange in the past,both of them portrayed the character of "deserted wife".

The differences of Chinese and Western aesthetics are cleared presented in the portrayal of abandoned wife.

The poem Mang furnishes the important basis for our understanding of the phenomenon of deserted wife existing under the law and discipline rites o.

By extensively drawing on and transforming the traditional poems of first_person narrators,he,with great concern,extended care for a group of depressed and slighted souls while highlighting the abandoned women complex to promote justice and give vent to grievances for the adverse living ci.

Based on extensively drawing on and transforming the traditional poems of Dai Yan style, he, with great concern, extended care for a group of depressed and slighted souls while highlighting the abandoned women complex to promote justice and give vent to grievances for the adverse living circu.