1) Wu belt used as wind
吴带当风
1.
Putting Chinese dress style and Chinese arts under big cultural background,this paper points out that the dress style is consistent with paiting art in certain extent through two kinds of direct relationship between dress and arts,such as draping and Cao clothing out of water,elegant and Wu belt used as wind,the consistent is culture reflection in image.
将中国服饰风格与中国美术置于文化大背景下 ,通过悬垂与曹衣出水、飘逸与吴带当风两种服饰与美术最直接的联系 ,阐述服饰艺术与绘画艺术的某些一致性 。
2) The Cultured Atmosphere in Wu Area
吴中风雅
3) cultures in Huai and Wu
淮风吴韵
1.
This paper points out that the culture in Nantong is a kind of border culture and the character of the culture in Nantong is that it is influenced by both cultures in Huai and Wu areas,as the result,it has the characters of self-independence,stressing education and virtue and being opt for the golden mean and self-control.
南通文化属于边缘型文化,“淮风吴韵”是南通文化性格的总体特征,“坚苦自立、崇文厚德、和中内敛”是其性格内涵。
4) drawing style of Wu school
吴派画风
6) Academic atmosphere in the region of Wu
吴地学风
补充资料：吴带当风
1.唐画家吴道子善画佛像，笔势圆转，所画衣带如被风吹拂。后人因以"吴带当风"称美其高超画技与飘逸的风格。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条