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Centuries-old printing technique makes a comeback
2019-11-20 
A letterpress printed thank-you note designed by iloovee, a Beijing-based letterpress studio. [Photo provided to chinadaily.com.cn]

Thanksgiving and Christmas are just around the corner. Are you racking your brains to come up with gifts that can aptly show your gratitude or love?

Letterpress items, such as a thank-you note, may be exactly what you need to impress your beloved ones.

We aren't bluffing. Letterpress, a centuries-old printing technique, is making an elegant comeback in China as designers, artists and consumers are rediscovering the beauty and craftsmanship behind it.

Gaining a new lease on life

Essentially a kind of movable type printing, letterpress is a technique of relief printing that came into being in the mid-15th century. German goldsmith Johannes Gutenberg converted a wine press into a printing press, which turned inked letters into reams of books and remained as the norm of printing for five centuries.

"The movable type printing is our heritage as it was invented by Bi Sheng in the Northern Song Dynasty (960-1127) and then was spread to the West some 400 years later," said Peng Junzhang, initiator of China's first letterpress art festival.

Gutenberg's inventions played a key role in ushering in the era of mass communication, adding fuel to the Renaissance and the Reformation, which enlightened minds and permanently altered the structure of society.

A letterpress printed wedding invitation is designed by iloovee, a Beijing-based letterpress studio. [Photo provided to chinadaily.com.cn]

In the West, the computer revolution in the 1970s gave birth to cheaper, faster ways of transferring words and images onto paper, dooming the old practice of arranging clunky type blocks in a massive metal press to obsolescence.

After nearly three decades in oblivion, letterpress came back from the dead as its aesthetic appeal was extolled by media personalities such as Martha Stewart, also known as Queen of Domestic Arts in the US. In the 1990s, her weddings magazine began featuring personalized letterpress invitations, giving rise to the revival of the retro-style printing craft.

While in China, letterpress had remained as the mainstay of the printing industry until Chinese scientist Wang Xuan fathered Chinese character laser-photo-typesetting system in 1974 that gradually brought Chinese character printing into the electrical and digital age.

The revival of letterpress has been in full swing in other parts of the world over the past decade.

"I've been to Japan multiple times and learned that there are over 110 letterpress studios in the country," Peng told China Daily Website.

In Australia, the enthusiasm for letterpress is stronger as only in Melbourne, studios or shops specializing in letterpress number over 100, Peng added.

Letterpress printed items such as postcards and calendars are displayed at Peng Junzhang’s workshop in Beijing on Nov 1, 2019. [Photo by Yang Xiaoyu/chinadaily.com.cn]

However, its revival in China came a bit late.

Josh Durham, a history teacher from the US, and his wife evangelized China's letterpress-printed art movement when they opened the Paper Pounder Press in July 2011 in Beijing.

"So far, there are no more than 20 letterpress studios in China," Peng noted. "The printing technique is still under the radar in China. But I believe it is set to flourish like it did in many other countries."

Having frequented numerous international letterpress festivals over the past few years, Peng was so impressed by the beauty and design of those letterpress products that he decided to host one in China.

His dream came true on October 18 when industry practitioners, letterpress devotees, teachers and students of design majors from home and abroad attended the festival in Beijing, joining their hands to preserve and promote the art and craft.

"People in the cultural and creative industries have found that letterpress is highly valuable to their creations and businesses," said Sun Yang, founder of iloovee, a Beijing-based letterpress studio known for its wedding invites.

Chang Chieh-kuan, owner of the Rixing Type Foundry in Taipei, works on a character molding machine. [Photo provided to chinadaily.com.cn]

A long lasting spell

"A printing technique that I thought had faded in the back pages of the industry history has come back to life. What a surprise!" said Liang Jiong, associate professor of Prepress with the Beijing Institute of Graphic Communication.

She got a bigger surprise on learning that some artisans have held fast to the art and craft of letterpress printing for decades.

Chang Chieh-kuan is such an example. The 67-year-old operates the famed Rixing Type Foundry which his father founded in 1969 in Taipei.

His foundry is the only haven left in the world that still produces traditional Chinese movable type character molds for letterpress printing.

"But in the 1980s, lead type foundries, the all-time leader of the traditional printing industry, dropped like flies in Taiwan," Chang recalled.

The Rixing Type Foundry in Taipei boasts the last collection of copper molds used in the creation of traditional Chinese type characters. [Photo provided to chinadaily.com.cn]

Despite the industry's unrecoverable demise, Chang, calling himself a headstrong fool from Taiwan, has managed to keep Rixing in operation.

It is meaningful to keep the foundry alive as founding played a significant role in the history of mankind's civilization, said Chang, who is transforming Rixing into an interactive museum.

In traditional letterpress printing, founding is the very first step of the whole laborious process followed by checking, typesetting, printing, and folding; the revived technique is technologically upgraded and thus less laborious.

To create a letterpress item, a photopolymer plate featuring a digitally-created design made in Illustrator or InDesign is first customized. Properly inked, the raised surface of the plate then bites into the soft, thick paper made from cotton or linen, under the force applied to an antique press.

The process yields a solid impression on the paper that is stunning to see and feel. However, such a debossed effect could not be realized on thin paper in traditional letterpress printing. Nor is it valued by the traditional letterpress craftsmen and their clients. What they most value is a printer's ability of making sure each stroke of a character is adequately and evenly inked, Chang said.

A woman applies oil-based ink on the ink plate of a manual printing press in Wu Fen Shu, a letterpress workshop in Hangzhou, East China's Zhejiang province. [Photo provided to chinadaily.com.cn]

A new darling of the DIY world

"The revival of letterpress lies in its marriage with ideal ink and paper, creating an irresistible quality. That's what attracts designers and consumers essentially," noted Liang, who is planning to introduce letterpress to her students aside from teaching them mainstream printing techniques such as lithography.

Thanks to the newfound visual and tactile appeal, an increasing number of artisans are embracing this aged technique.

Featuring letterpress cards with original designs, custom design services, and courses on letterpress printing, a workshop called Wu Fen Shu in East China's Hangzhou has fared well since its opening in June, according to Zhou Zi, the workshop's co-owner.

Zhou is one of the entrepreneurs who are eyeing the market of letterpress workshops that focus on customizing letterpress products and offering hands-on experience on a manual press.

A woman works on a Chandler & Price letterpress machine in Wu Fen Shu, a letterpress workshop in Hangzhou, East China's Zhejiang province. [Photo provided to chinadaily.com.cn]

Zhou, a fresh graduate of visual communication design, decided to open such a shop upon graduation with two of her college buddies who are also fascinated with letterpress thanks partly to what used to trouble them back in college.

"We used to commission printing factories to get our designs printed in small numbers, but more often than not, we were rejected as they only took orders requiring at least hundreds of copies," the young designer told this website.

Noting that many more design majors like them have been beset by such a headache, Zhou and her buddies thought about creating a workshop that takes small orders to create convenience for students who are of weak spending power.

In addition to serving students, the 110-square-meter workshop also attracts many who are eager to try their hands on an ancient letterpress machine to DIY their own letterpress items, each paying about 200 yuan to 500 yuan ($28.52-$71.3).

Despite the high price, it seems more people are being drawn to this kind of ancient printing technique. "Some companies even organized their team building parties in our workshop, which is sort of out of my expectation," said Zhou.

A letterpress printed business card sample designed by the letterpress workshop owned by Peng Junzhang. [Photo provided to chinadaily.com.cn]

The endeavors of artisans and designers have borne fruit as letterpress-printed products are winning more and more consumers in China.

"The beauty and elegance inhering in letterpress have kept drawing people to know about it, and pay higher prices for letterpress products," said Peng Junzhang, a letterpress enthusiast, better known as the king of high-end business cards in China.

Peng, who remolded the letterpress machine to make it less demanding and more efficient, applied the printing technique to business card making, which turned out to be a huge success.

"Although the need for exchanging business cards is shrinking in the age of social media, upscale ones, each priced at 300 yuan ($42.45) or more, are in greater demand than those priced at around 30 yuan ($4.25)," Peng noted.

Cha Dian, literally meaning "Tea canon", featuring a letterpress printed cover is crowned as China’s Most Beautiful Book in 2017. [Photo/Tmall]

Letterpress-printed business cards made with stylish designs are favored by those who want to showcase their tastes, Peng added.

"The letterpress printing spices up the designs of wedding invites, giving our products a competitive edge over the conventional ones", said Sun Yang, owner of letterpress studio iloovee.

Letterpress-printed wedding invites, priced roughly at 15 yuan ($2.15) apiece, are gaining traction in recent years as the younger generations pay more attention to the design and quality of the goods they buy, Sun explained.

"Both the design and texture of the invites are so beautiful that they have added much color to my wedding," read a buyer's comment on Taobao, China's largest ecommerce platform.

"Delicate and elegant! Every aspect of the invite is perfect except for its price," wrote another buyer.

A movable type seal is one of the cultural creative items developed by the Rixing Type Foundry in Taipei. [Photo provided to chinadaily.com.cn]

Unleashing greater potential

Besides printed ephemeras such as wedding invites, business cards, book covers, letterpress-rendered replicas of paintings -- a popular genre of the cultural and creative products, are also in vogue on online shops.

For instance, the LeTian LetterPress Studio from Taichung has replicated a famous painting The Great Wave off Kanagawa by 19th-century Japanese artist Katsushika Hokusai, using the ingenious multicolor letterpress printing, a method innovated by the studio's founder Huang Chung-tang, a former architectural 3D modeler for Google Earth.

Also, Huang is working with artists to help letterpress-print their original artwork.

Accordingly, art aficionados are warming up to the letterpress-printed replicas, charmed by the fine texture added to the original work.

The letterpress technique makes the painting replicas more fun, creative and affordable, said Liang Jiong from Beijing Institute of Graphic Communication.

"Everything of our time is pretty much online and ecological benefits are increasingly valued, which leads to a notable decrease in the overall printing volume," said Liang. "Despite the decline in production, the general printing market will remain robust as the need for personalized printing is still growing."

Although the popularity of letterpress printing is in the offing, "good designs are urgently needed for domestic letterpress studios. Many of them are imitating, if not pirating, designs from their foreign counterparts," Peng Junzhang said.

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