1) The fish pattern with human face
人面鱼纹
1.
The fish pattern with human face of Yangshao culture represents an idea of cycle of life and death.
仰韶文化的"人面鱼纹",代表着一种生死轮回观念;鱼作为生死轮回的媒介,引导灵魂重生;上古传说中颛顼、后稷化身为鱼,死而复生的故事,为鱼作为生死轮回的媒介的观点提供了文献资料的支持。
2) A New Study of the Fish Pattern with Human Face
"人面鱼纹"新探
3) human facial stripe decorating
人面纹饰
1.
This article considers that the yue people s bronze vessel with human facial stripe decorating in the ancient times was concerned to the tradition of the ancestor and grain god worship,this tradition could be traced down the epoch before the Qin Dynasty and the Han period.
上古越族的青铜器人面纹饰与祭先祖、禾神的礼俗有关,此俗可追溯到先秦两汉时代,实为原始农业血祭在装饰艺术形式上的反映;越族人面纹饰与南方民族的盘古化生神话皆为农业祭礼文化中的不同表现形式之一。
5) fish-pattern
鱼纹
1.
The Research on the Decoration Features Development of Fish-pattern on Chinese Ancient Ceramics;
中国古代陶瓷鱼纹装饰特征演变研究
2.
This article analyzes and studies the features of fish-pattern decoration on ceramics during the Dynasties of Xia,Shang,Zhou,Qin and Han,from several aspects such as the Implication,the skills and the form including the composition,the shape,the combination and so on.
文章从鱼纹装饰的涵义、技法、形式(包括构图方式、鱼纹形态、组合形式)等几个主要的方面,分析和研究了夏商用秦汉时期陶瓷器上鱼纹装饰的特征。
3.
The period of Wei,Jin,Sui and Tang, is a special time for the development of the fish-pattern decoration on the ancient Chinese ceramics.
魏晋南北朝和隋唐时期是中国古代陶瓷鱼纹装饰比较特殊的发展阶段,该阶段鱼纹由陶器装饰为主,逐步转向以瓷器装饰为主。
6) fish patterns
鱼纹
1.
The fish patterns on the figure bricks of Han dynasty in Nanyang city, originating from Yangshao culture, and assimilating the style of bronze patterns, developed its own artistic styles of Han dynasty.
南阳汉画像砖鱼纹饰,渊源于纯朴自然的仰韶文化彩陶纹饰并摆脱其稚拙的形象特征,挣脱了沉重威严的青铜纹饰风格的羁绊并吸取其强健有力的用线手法,发展成富有蓬勃进取精神的汉代艺术风格。
补充资料：人面鱼纹
人面鱼纹 古代陶器纹饰。纹样为接近图案化的人面形象，常与鱼形纹样相结合，反映了原始人们祈求渔猎收获的愿望和绘画创作的丰富想象。仰韶文化半坡类型和甘肃马家窑文化陶器上都见这种纹饰。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条