1) omniscient perspective
全知视角
1.
This paper mainly makes a text micro-analysis on Lu Li\'s Imprisoned Green,tries hard to explain and narrate the voice of soul in an omniscient perspective,uses diagrams and other ways to analyze separately the people\'s depression during the Anti-Japanese War which silted in their minds and souls and which tried to stretch,and interprets it with its overall style of writing.
文章就陆蠡《囚绿记》展开文本微观分析,力图阐释在全知视角下叙述心灵的声音,采用图解等的方式把身处抗战时期的人们淤积心灵中的郁闷又试图伸展的灵魂做一一分析,并结合其创作的总体风格来做诠释。
2) over-round angle of cognizance
全能视知角
3) omniscient and omnipotent visual angle
全知全能视角
4) the limited omniscient perspective
有限全知视角
1.
The employment of the limited omniscient perspective,the first-person perspective and the limited third-person perspective in her works combines the form and content of the stories perfectly,which brings her lots of acclaim and makes Porter one of the most distinguished writers in the 20th century.
有限全知视角、第一人称视角和第三人称有限视角的恰当使用使得作品的内容与形式完美地结合在一起,给波特带来了如潮的好评,波特也因此成为二十世纪最杰出的小说家之一。
5) omniscient
[英][ɔm'nɪsiənt] [美][ɑm'nɪʃənt]
全知叙述视角
6) the omniscient point of view
全知叙事视角
1.
Both are dominated by the omniscient point of view and supplemented by the characters point of view, and both contain lots of comments from their respective authors.
《名利场》与《围城》在叙事手法上很相似 ,都是以全知叙事视角为主 ,人物叙事视角为辅 ,并且都有大量的议论。
补充资料：全知视角
全知视角是在小说创作常用的叙述形式。一般以第三人称为主。
全知视角即叙述者处于全知全能的地位，作品中的人物、故事、场景等无不处于其主宰之下，调度之中。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条