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1)  lohas group
乐活族
2)  lohas
乐活
1.
Study on Llohas Group From the Sociological perspectives
多维视域下“乐活族”的社会学解读
2.
On the Rise of the Lohas Group from the View of Marxist Construction Activity Theory
从马克思建构活动方式命题论“乐活族”的兴起
3)  national musical instrument
民族乐器
4)  national music
民族音乐
1.
On the Function of Carrying Forward National Music in The Construction of Advanced Culture;
论弘扬民族音乐文化中存在的问题及对策
2.
Cultivating humanistic spirit based on the education in national music;
以民族音乐教育为基础培养学生的人文精神
3.
Analysing the aesthetical feature of Chinese national music from Chun Jiang Hua Yue Ye;
从中国民族乐曲《春江花月夜》分析中国民族音乐的美学特征
5)  National vocal music
民族声乐
1.
On Scientific Value of Chinese National Vocal Music as Compared with Western Vocality;
从中西声乐对比看民族声乐的科学价值
2.
Chinese national vocal music has its 3 peculiar aesthetic characteristics: 1.
中国民族声乐有着独特的审美特征:以"情"为核心内涵,以"字正腔圆"为审美取向,"声音"音色的选择具有独特性,并且具有"润腔"特征。
3.
WANG Zhi-xin has opened a new way of national vocal music by consulting traditional folk art,original folk tone and traditional opera,adopting western music art factors and using modern composition skills.
王志信以家传户诵的历史故事、民间传说或神话传说为音乐题材,充分借鉴传统的曲艺、原生态民歌音调和戏曲唱腔的艺术营养,有效汲取西方音乐艺术因素,并大胆运用现代作曲技巧,作品的调式、调性、速度、节拍和节奏灵活多变,改变原民歌结构单一、无法包容丰富内容的不足,走出了一条新的民族声乐创作之路。
6)  Chinese national vocal music
民族声乐
1.
The aesthetic aroma in Chinese national vocal music lies in the combination of two principle aesthetic systems,which are composed of language presentation,and the inclination of mode respectively.
中国民族声乐的韵味美是构筑在两大基本美学思想之上的,即语言的表现和曲情的表达。
2.
At present the development of Chinese national vocal music is still constrained by the academistic "Western or Chinese" controversy.
中国民族声乐发展到今天,仍旧摆脱不了学院派们关于“中西”之间的论争,这无形中忽略了民族声乐范畴中诸多来自民间的丰富多彩的内容。
3.
This paper does research in the construction of Pluralism Chinese national vocal music from the development of new folk song.
民族声乐艺术伴随着中国民族文化的发展大约已有五千多年的历史。
补充资料:乐活
1.方言。快乐。
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