1) narrative representation
叙事再现
2) modern narrative
现代叙事
1.
This thesis tries to reveal the relations between the modern narrative mode and conscious embodiment of Chinese hometown novelist in the 20th century based on the narrative strategy of hometown novels.
本文试图从20世纪中国故乡小说的叙事策略入手，探索20世纪中国故乡小说作家的现代叙事方法与现代意识体现之间的关系。
3) narrative present
叙事呈现
4) realistic narrative
现实叙事
5) modern Chinese ballads
现代叙事诗
1.
All the following beneficial factors contribute to the birth of modern Chinese ballads in the early 20th century in China: the call of the specific epic, the creative needs and enthusiasm of modern ballads authors, the mature experience of western ballads, and the vernacular Chinese possibility for free writing by the new generation of ballad writers.
既有时代对于现代叙事诗的呼唤,深谙中国传统叙事诗现实主义精神的诗作者自身的创作要求与热情,又有西方叙事诗成熟写作经验的可资借鉴,以白话为主要标志的现代语言的建立乃为新诗人自由灵便地进行叙事诗的创作提供了完全意义上的可能,于是这些有利因素一起促成现代叙事诗在20世纪前期的中国文坛成功出场。
2.
Given birth after the May 4th movement, the modern Chinese ballads is due to embody modern features endowed by the specific situation.
中国现代叙事诗诞生于“五四”之后，特定的环境决定了它的一出场便理应拥有的现代品质。
6) postmodern narration
后现代叙事
1.
This great change forms YU Hua’s postmodern narration strategy of writing.
余华1980年代的创作以“愤怒”的写作显示了先锋文学的挑战性姿态,其1990年代的创作以幸存者的言说表达了虚伪的“活着”的人生关怀;从“愤怒”的写作到虚伪的“活着”构成了余华创作的后现代叙事策略。
补充资料：叙事
1.叙述事情。把事情的前后经过记载下来。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条