1) image of Mozi
墨子形象
2) Image of Black Bamboo
墨竹形象
3) Confucius image
孔子形象
1.
The thesis analyzes the Confucius images of The Analects of Confucius,Zuozhuan and Guoyu which are earlier books to register Confucius,analyzed the characters of Confucius images of the three books,and summarize the general character of hypostasis of Confucius of the three books.
本文对先秦时期较早记录了孔子事迹的三部典籍———《论语》、《左传》、《国语》中的孔子形象进行了梳理和剖析,探讨了这三部典籍中孔子形象的各自特点,并总结出其在孔子形象塑造上的共同特点即原质性,以期为人们更好地了解历史上真实的孔子及其思想提供一个前提和基础。
2.
By the comparing research between the Confucius image created in the Record of the Historian and the images in the documents before it, the paper is in order to find the unique feature of the Confucius images created by Sima qian and its reasons, and to explain the artistic laws of the figure creating in the Record of the Historian.
本文旨在通过对《史记》之前文献中塑造的孔子形象与《史记》中司马迁塑造的孔子形象进行比较研究，以探究司马迁笔下孔子形象的独特性及其成因，并进而阐释司马迁塑造历史人物的艺术规律。
5) the image of Confucius
孔子形象
1.
On the one hand,the image of Confucius in Warring States Period was truthfully presented to some degree in different philosophers books,on the other hand,the changes of his image started to stand out.
战国时期的孔子形象,在诸子典籍中一方面得到了某种程度的真实表现:另一方面,也是更为突出的方面则是孔子的形象开始产生变形。
2.
The author, after making a serious study of the image of Confucius in the two Chinese classics-Mencius and Zhangtze and with reference to the historical Confucian figure, has come to the conclusion that Mencius has sanctified Confucius while Zhuangtze has allegorized him.
笔者从接受学角度认真考察了《孟子》、《庄子》中的孔子形象,并与历史上的孔子加以对比,认为《孟子》对孔子进行了“圣化”,《庄子》则进行了“寓言化”,尽管两者中的孔子都有一定的历史真实性,但他们那种不拘泥于历史、主动拿来、为我所用的态度却是一致的,在治学方法上对后代亦有较大影响,可谓异曲同工。
3.
The author holds that this influence can be revealed in three aspects-providing the source material for shaping the image of Confucius for later generations,laying the foundation of apotheosis of Confucius in people\'s hearts,and giving forepart examples of changing the image of Confucius.
先秦历史散文和诸子散文著作中不仅保存了孔子形象最初的真实写照,也保存了孔子形象最早的变异,二者都对后世的孔子形象塑造产生了一定的影响。
6) prodigal image
浪子形象
1.
Tang Dynasty s novelists have portrayed the abundant prodigal image in its novel creation,and these prodigal images may divide into two kinds: One kind of the prodigals is who indulge in dallying with prostitutes;Another is who idle around all day.
唐代的文人士子们在其小说创造中塑造了丰富的浪子形象,这些浪子形象可以分为两类:一是狎妓的浪子,另一类就是游手好闲的浪子。
补充资料：墨竹
1.墨画的竹子。相传始于唐吴道子。一说，始于五代郭崇韬之妻李氏。 2.竹的一种。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条