3) narrative principle
叙事原则
1.
In the aspect of narrative principle, they would like to fabricate in the art area.
在叙事视角上,它们以人性、文化等边缘化的视角取代政治视角;在叙事内容上,以边缘性人物和题材为描写重心;在叙事原则上,竭力张扬艺术虚构;在叙事态度上,由严肃庄重走向游戏与调侃;在叙事结构上,以个人化叙事代替宏大叙事。
2.
Based on the ten-volume edition in Dade(大德) of Yuan Dynasty, the paper carries out an investigation into the narrative principle and character-creating and legendary inclination.
本文以为《吴越春秋》是史传文学文史分流、向小说过渡阶段的作品，以现存的元大德十卷本系统版本为文本依据，从叙事原则、人物塑造、传奇倾向三个方面对《吴越春秋》作力所能及的考察，以求客观地揭示《吴越春秋》在中国小说发展史上的价值和地位。
4) narrative paradigm
叙事范型
1.
The aesthetic style with "emotion" as its main characteristic has a close link with the natural horizon,the natural environs,and the narrative paradigm that emerge in the literary text,and it has profound .
这种以"性情"为主要特色的文学审美格调与其文学生成的自然视阈、自然场、叙事范型有着极为密切的关系,对普米族和傈僳族文学叙事意识、审美心理、话语特征的形成有着深远的影响。
2.
The preserved texts of Chinese classical educational hought does not only have the feature of theortical discourse paradigm,but also has the characteristic of researching narrative paradigm by educational context .
中国古典教育思想的保存文本不仅具有理论话语范型的特点,而且还具有以“教育情境”说话论理叙事范型的研究特色。
5) narrative type
叙事类型
1.
Misery by Anton Pavlovich Chekhov and Blessing by LU Xun indicates that they have a lot in common in literary creation,such as characters setting,animal depiction technique and narrative types,although,difference of their living times results in differences of their literary works in depth,range as well as social values.
契诃夫的《苦恼》和鲁迅的《祝福》,在人物设置、动物描写、叙事类型等几个方面均不无接近之处,由此可以见出《祝福》在题材内容和艺术技巧上对《苦恼》所作的吸收与借鉴,但它绝不是一次简单的模仿或复制的结果,《祝福》通过对乡土中国的人与事的言说,显示出了作者鲁迅特有的艺术个性,并烙有鲜明的中国文化的印迹。
6) petty narrative
小型叙事
补充资料：叙事
1.叙述事情。把事情的前后经过记载下来。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条