1) splashing color of landscape painting
泼彩山水画
1.
In this paper, it focuses on Zhang daqian and Liu haisu splashing color of landscape painting ,uses the methods of images researching and parallel comparing and does a series of comparative research on their color characteristics of landscape styles, the causes of style, artistic personality and thought of art .
本文以张大千和刘海粟的泼彩山水画为研究对象,采用图像研究和平行比较等方法,就二者泼彩山水画风格特征、画风成因、艺术个性、艺术思想等进行了一系列的比较研究,力图从张大千、刘海粟泼彩山水画的具体分析中,了解二者绘画观念、绘画特征和绘画风格的异同之处,以求对他们的绘画特质有更加清晰的印象。
2) modern landscape painting with strong colors
现代重彩山水画
1.
The thesis interprets the transformation from the traditional concept of "different kinds with different colors"to modern coloring concept by analyzing the artistic practice of modern landscape painting with strong colors, and points outthat the whole si.
本文通过对现代重彩山水画艺术实践的梳理来解读传统“随类赋彩”的设色观念向现代设色观念的转变,并指出这种转变对于现当代中国画发展的整体性意义。
5) watercolor painting
水彩画
1.
In recent years,watercolor painting has advanced in China by leaps and bounds.
通过比较水彩画、水墨画在工具和材料及表现手法上的相似之处得出结论:水彩画是一种适合表现东方自然环境的画种,水彩画作为西方的一种艺术形式很容易为我们所接受,它在我国具有较大的发展空间。
2.
Chinese watercolor painting is the artistic form coming from the west, which was certain to be influenced by and shocked by traditional Chinese culture.
中国水彩画作为从西方传入的艺术形式,来到中国后就必然受到中国传统文化的冲击和影响,这种现象在早期的中国水彩画艺术中表现得尤为突出。
6) Watercolour Painting
水彩画
1.
Fashion of Watercolour Painting and the Sustainability of Its Development;
水彩画的时尚及时尚性发展的可持续性
2.
In the perspective of the history of watercolour painting and the development of its artistic language,we can conclude that overemphasis on the artistic language will be an obstacle to the development of watercolour painting.
从水彩画的本体语言以及水彩画发展的历史来看,过多地强调本体语言将成为水彩画发展的桎梏。
3.
With the development of times,the artistic conception of watercolour painting has a entire new development with a variety of manifestation form,which in turn calls for the watercolour painting’s keeping pace with the times.
随着时代的发展,水彩画的意境表现已经有了全新的发展,形式也极多样,这就对它提出了更新、更高的要求,我们要不断地实践和摸索水彩画意境表现的新形式,让具有时代感的形式美反映更加深刻的意境美,为水彩画的意境营造拓宽思路。
补充资料：次韵子由书王晋卿画山水二首
【诗文】：
老去君空见画，梦中我亦曾游。
桃花纵落谁见，水到人间伏流。
山人昔与云俱出，俗驾今随水不回。
赖我胸中有佳处，一樽时对画图开。
【注释】：
【出处】：
苏轼诗集 卷十九
老去君空见画，梦中我亦曾游。
桃花纵落谁见，水到人间伏流。
山人昔与云俱出，俗驾今随水不回。
赖我胸中有佳处，一樽时对画图开。
【注释】：
【出处】：
苏轼诗集 卷十九
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条