1) Creative Art of Mudan's Poetry
穆旦诗歌创作艺术
2) Concerning the Research of the Mudan s Poetries
论穆旦的诗歌创作
4) poem creation
诗歌创作
1.
Variation of symbolism in Bian Zhilin s poem creation;
卞之琳诗歌创作中对象征主义的异变
2.
Although he stuck to the core of Chinese traditional culture and was alternative in absorbing Japanese religious culture,his poem creation of this period was still overwashed by the tide of Japanese religious culture.
尽管他在接受外来文化的同时,也坚守本土文化的精髓,表现出强烈的选择性,但他这一时期的诗歌创作仍然带上了浓厚的日本宗教文化色彩。
3.
Which influence his poem creation and could show the society culture and history situation in that period deeply.
在钱谦益思想中,儒、佛两家思想既是难分难解的,同时又存在着激烈的矛盾、冲突,这种特点影响了钱谦益诗歌创作的面貌,使得他的诗作得以表现那个时代社会、文化、历史的丰厚内涵,在明清之际这一文化转折期成为承前启后的文化标志。
5) poetry creation
诗歌创作
1.
Zhengmin s Attitude to Poetry Creation and Her Understanding of Traditional Culture;
郑敏诗歌创作观及其对传统文化的理解
2.
On Liuzongyuan in Liuzhou’s course of mind and poetry creation;
论柳宗元柳州时期的心路历程及诗歌创作
3.
The poetry creation by writers of the Imperial Academy from the beginning of Ming Dynasty to the period ruled respectively by the Emperors Hong-zhi and Zheng-de,has an outstanding tendency towards the colorful style,i.
从明初到弘治、正德之间,翰林院作家的诗歌创作中有一个重要的倾向,即他们创作了或多或少的艳情诗歌,在体裁上多用乐府体。
6) poem writing
诗歌创作
1.
Five hundred poems written on old and invalidity boats on the way to Chongqing and Kuimen——On Du Fu s life and poem writing in Chongqing;
渝州夔门路一千 老病残舟诗五百——杜甫在重庆的流寓生活和诗歌创作
2.
Discussion about AI Qing s poem writing in the period of Resistance War;
论艾青抗日战争时期的诗歌创作——谨以此文纪念中国人民抗日战争胜利六十周年
3.
The study of the poem writing of Gannan by the views of ecological aesthetics
生态美学视野下的甘南诗歌创作
补充资料：旦
| 旦 中国戏曲表演主要行当之一，戏曲中女脚色的统称。旦的名目初见于宋代歌舞，分粗旦、细旦。宋金杂剧、院本的女脚色称装旦或引戏，为五花爨弄之一。南戏和元杂剧沿用旦的名目。昆山腔表演艺术成熟后，形成正旦、小旦、贴旦、老旦 4个支系。按扮演人物属性、性格及其表演特点，大致可分为正旦、花旦、贴旦、闺门旦、武旦、老旦和彩旦7类。正旦原为元杂剧行当名，泛指旦中正角，造型基调要求娴静庄重，多用韵白，唱念做兼重；花旦扮演性格活泼明快或泼辣放荡的青年或中年女性，并常带喜剧色彩；贴旦为旦中副角，又称风月旦；闺门旦扮演少女，俗称小旦；武旦扮演擅长武艺的女性形象，分刀马旦、武旦两类；老旦扮演老年妇女，多重唱功；彩旦一作丑旦、丑婆子，多扮演喜剧和闹剧的女性；此外各地方剧种中又有特殊的旦行，如京剧的泼辣旦、昆剧的刺杀旦、潮剧的罗衣旦、豫剧的帅旦、湘剧的玩笑旦等，多依剧中人物的特点而定名。
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参考词条