1) writing opinion of poetics
诗歌创作观
1.
This thesis compares Han nationality s Liu Xizai s writing opinion of poetics with the YI Nationality s Chuygycher and Armieny s in three aspects:writing being made from aspects,writing principle and requirement of poet.
本文从创作对象、创作原则及创作主体必备条件三个方面 ,对汉族诗学家刘熙载与彝族诗学家举奢哲、阿买妮的诗歌创作观进行比较。
2) the view on the source of verse creation
诗歌创作源泉观
3) The Study on Inditement of QinGuan s Poems
秦观诗歌创作论
4) Creative poetic ideas
诗歌创作观念
5) poem creation
诗歌创作
1.
Variation of symbolism in Bian Zhilin s poem creation;
卞之琳诗歌创作中对象征主义的异变
2.
Although he stuck to the core of Chinese traditional culture and was alternative in absorbing Japanese religious culture,his poem creation of this period was still overwashed by the tide of Japanese religious culture.
尽管他在接受外来文化的同时,也坚守本土文化的精髓,表现出强烈的选择性,但他这一时期的诗歌创作仍然带上了浓厚的日本宗教文化色彩。
3.
Which influence his poem creation and could show the society culture and history situation in that period deeply.
在钱谦益思想中,儒、佛两家思想既是难分难解的,同时又存在着激烈的矛盾、冲突,这种特点影响了钱谦益诗歌创作的面貌,使得他的诗作得以表现那个时代社会、文化、历史的丰厚内涵,在明清之际这一文化转折期成为承前启后的文化标志。
6) poetry creation
诗歌创作
1.
Zhengmin s Attitude to Poetry Creation and Her Understanding of Traditional Culture;
郑敏诗歌创作观及其对传统文化的理解
2.
On Liuzongyuan in Liuzhou’s course of mind and poetry creation;
论柳宗元柳州时期的心路历程及诗歌创作
3.
The poetry creation by writers of the Imperial Academy from the beginning of Ming Dynasty to the period ruled respectively by the Emperors Hong-zhi and Zheng-de,has an outstanding tendency towards the colorful style,i.
从明初到弘治、正德之间,翰林院作家的诗歌创作中有一个重要的倾向,即他们创作了或多或少的艳情诗歌,在体裁上多用乐府体。
补充资料：不自观音，以观观者
【不自观音，以观观者】
不自观音者，谓不随声尘所起知见也。以观观者，谓返照自性也。不起知见，则无所妄；返照自性，则一切真寂，无复苦恼。故令受苦众生，蒙此真观，即得解脱，是为无畏。经云：观其音声，即得解脱。是也。
不自观音者，谓不随声尘所起知见也。以观观者，谓返照自性也。不起知见，则无所妄；返照自性，则一切真寂，无复苦恼。故令受苦众生，蒙此真观，即得解脱，是为无畏。经云：观其音声，即得解脱。是也。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条