1) Nora's Deformation in China
娜拉的中国变形记
2) "Nora" image
"娜拉"形象
1.
The series of "Nora" images in China construct a typical Chinese type.
中国的“娜拉”形象系列，构建了中国经典性类型。
3) Nora
娜拉
1.
discusses Nora of Ibsen s ET DUKKCHJEM to leave in a hurry;
论易卜生《玩偶之家》中出走的娜拉
2.
A Reconstruction of a Classical Work?——Unscrambling the Androgyny Consciousness in Nora:What Happened after Nora Left Her Husband,or,Pillars of Society by Jelinek;
一部对经典的重构?——解读耶利内克《娜拉出走以后》的“双性同体”意识
3.
Discourse on Nora and Nora s Discourse:Gender and Women s Story-telling during the May 4th;
言说娜拉与娜拉言说——论五四新女性的叙事与性别
4) Nala
娜拉
1.
Leaving Their Home and Revolt: the Rebel Women s Road ——Comparing Nala with Najia;
出走与反抗:叛逆女性之路——娜拉与娜嘉形象之比较
2.
Cannot Nala Find Out Another Brand-new Exist;
娜拉“不可能有新的出路”吗?
3.
The identity of doll is located in the the character image of Nala in the past.
《玩偶之家》是易卜生"社会戏剧"中最早的一部讨论家庭关系的戏剧作品,以往对玩偶的身份界定都是定格在娜拉这一人物形象之上。
6) deformation field of Chinese mainland
中国大陆形变场
补充资料：娜拉
剧本。即“玩偶之家”(734页)。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条