1) Karana
卡拉娜
1.
In terms of feminist criticism, this paper makes an analysis of Karana, the protagonist of the novel, with an attempt to demonstrate that Karana is an ideal "Green Lady", who displays both feminine and masculine merits, and that her growing can be seen as an epitome of social development promoted by deep ecologists.
本文试图以女性主义批评的视角,解读作品中女主人公卡拉娜的形象,以期阐明奥台尔笔下的卡拉娜是一位刚健与柔美混合、威凛与妩媚并存的绿色女士,卡拉娜的成长过程可看作深层生态保护主义者提倡的人类社会变革的一个缩影。
2) Nora
娜拉
1.
discusses Nora of Ibsen s ET DUKKCHJEM to leave in a hurry;
论易卜生《玩偶之家》中出走的娜拉
2.
A Reconstruction of a Classical Work?——Unscrambling the Androgyny Consciousness in Nora:What Happened after Nora Left Her Husband,or,Pillars of Society by Jelinek;
一部对经典的重构?——解读耶利内克《娜拉出走以后》的“双性同体”意识
3.
Discourse on Nora and Nora s Discourse:Gender and Women s Story-telling during the May 4th;
言说娜拉与娜拉言说——论五四新女性的叙事与性别
3) Nala
娜拉
1.
Leaving Their Home and Revolt: the Rebel Women s Road ——Comparing Nala with Najia;
出走与反抗:叛逆女性之路——娜拉与娜嘉形象之比较
2.
Cannot Nala Find Out Another Brand-new Exist;
娜拉“不可能有新的出路”吗?
3.
The identity of doll is located in the the character image of Nala in the past.
《玩偶之家》是易卜生"社会戏剧"中最早的一部讨论家庭关系的戏剧作品,以往对玩偶的身份界定都是定格在娜拉这一人物形象之上。
5) Kagelinna
卡捷琳娜
1.
Different Personality Different Lot,the same Ending——the Two Kagelinnain Russia History;
不同的性格 不同的命运 相同的结局——俄国文学史上的两个卡捷琳娜
6) Kaluolinna
卡洛琳娜
补充资料：娜拉
剧本。即“玩偶之家”(734页)。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条