1) On Pitching And Inking
笔墨略谈
2) written discussion
笔谈
1.
Also some of post-graduates inShanghai University who are majoring the Contemporary Chinese Literature,are having a written discussion,under theguidance of Professor Wang Hong-sheng.
上海大学现当代文学专业的部分研究生,在导师王鸿生教授的主持下,通过认真的阅读和讨论,撰文就贾氏的这一新作进行了笔谈。
4) Brush and ink
笔墨
1.
His classic elegance and detached character pushes Chinese painting in the late Ming Dynasty to "brush and ink" and ever after.
董其昌作为中国古代文人画的代表,在绘画实践上以推重笔墨形式之美而独树一帜,其“古雅娟秀、气韵超然”的艺术风格,影响了明末及以后的中国绘画朝笔墨形式发展。
2.
Therefore, its "formulism" of brush and ink has been established.
中国山水画历史悠久 ,山水画笔墨技法从产生到成熟 ,建构了独特的绘画符号。
5) ink
[英][ɪŋk] [美][ɪŋk]
笔墨
1.
Ink Thinking of Artistic Creation from Theory of Zheng Xie s Drawing Bamboo;
以郑燮竹论观艺术创作中的笔墨思维
2.
First,the main painting,write with painting,slightly Pomo;second,relying on stroke,sublimation of the spirit itself;third,in the nourishment of life,inspire;fourth,it is advancing with the times ink form.
现代的创作者应该在传统的基础上,勇于创新:一是以画为主,画写结合,略带泼墨;二是以笔画为依托,升华写意精神;三是在生活中吸收营养,激发灵感;四是笔墨形式与时俱进。
3.
When creating landscape painting, painters, especially beginners, always have some problems in drawing equally, using the ink stiffly, arranging the composition of the picture narrowly, etc.
创作者,尤其是初学者在进行山水画创作时,在笔墨的运用、构图与色彩的处理、精神的把握、题款的运用等方面会出现的如用笔平均、用墨板滞、构图布置迫塞等等弊病,如何运用相应的对策克服这些病忌,是每一位创造者都无法避之的问题。
6) writings
[英]['raɪtɪŋ] [美]['raɪtɪŋ]
笔墨
1.
This article introduces Xugu’s life, studies and discusses his writings (mainly about line),molding, composition and color etc, though his painting theme, flowers and birds painting content, artistic conception.
文章主要从论述海派画家虚谷的生平开始,通过分析绘画题材、内容、意境,深入探讨其笔墨(这里主要指线条)、造型、构图和色彩等绘画本体,从而总结其花鸟画风格。
2.
This paper mainly discusses the relationship between lively spirit and charm and easy case of scholars paintings as well as writings of scholars paintings.
在此重点讨论气韵生动与文人画之逸格及文人画笔墨间的关系。
补充资料：笔谈
笔谈
医学杂著。清陈嘉■撰，刊于康熙三十三年(1694年)。作者将临床所得经验及研究古医书心得随笔记录。分脾胃互补论、辨手少阴论、土多论、经络论、君火以明解、医行难论、脉证不合论、五脏六腑衰旺论等，重视脾胃，结合临证予以辨析。现存道南堂初刻本。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条