1) The Jingling School and the Late Ming Dynasty
竟陵派与晚明时代
2) Jingling School
竟陵派
1.
The Early Events and Thoughts of Jingling School;
竟陵派文学的发端及其早期文学思想趋向
2.
On the appearance of Jingling school and Zhong and Tan s poetry;
论竟陵派出现的契机及钟谭的诗歌创作
3.
Studyes of Jingling School in the Past 400 Years;
近四百年竟陵派散文研究史述
3) Jing Ling school
竟陵派
1.
From the angle of culture backgrounds and individual experiences,there are so many similarities between the Wan Tang Ti that is represented by JIA Dao and the Jing Ling School that is represented by ZHONG Xing and TAN Yuan-chun.
从文化背景和诗人自身经历的角度,我们可以发现以贾岛为代表的“晚唐体“与以钟惺、谭元春为代表的竟陵派有着惊人的相似。
2.
The literary thinking of Jing Ling School is to keep sensitivity, to foster the spirit of nobility by reading, to seek the disposition of our forefathers so as to reach the “kind and dignified level”.
竟陵派的文学思想是保持灵心,读书养气,求古人之性情,达到“厚”的境界。
3.
In fact he was famous at that time and had made friends with ZHONG Xing in poems, the poet of Jing Ling School.
其实他在当时颇有诗名,并同竟陵派的钟惺互为诗酒之友。
4) the Jingling School
竟陵派
1.
Examination and Description of Tan Yuan Chun s Associations and Travels during the Reigns of Tianqi and Chongzhen——Concurrently on the Further Spreading of the Influence of the Jingling School in the Later Stage of Its Development;
谭元春启、祯间交游考述——兼论竟陵派发展后期影响的进一步拓展
5) Jingling
[英]['dʒiŋgl] [美]['dʒɪŋgḷ]
竟陵
1.
The Representative Verses of Jingling in Ming and Qing Dynasty and the Modern Dialect of Tianmen;
明清竟陵代表诗文用韵与现代天门方音
2.
Examination and Discussion of Jingling "Shilin"
竟陵“士林”考论——读《金楼子·说蕃》
6) Late Ming Dynasty
明代晚期
1.
The Street Culturl of Late Ming Dynasty and the Impact of Book Design;
论市井文化对明代晚期书籍的影响
2.
The Street Culture of Late Ming Dynasty and the Development of Art Style in Book Design;
明代晚期市井文化与书籍装帧艺术风格的发展
补充资料：竟陵派
| 竟陵派 中国明代后期文学流派。以竟陵人钟惺、谭元春为首。又称竟陵体或钟谭体。明代中叶以后，前后七子拟古之风甚烈，“文必秦汉，诗必盛唐”成为评判诗文的准则。唐宋派、公安派曾先后给予抵制和抨击。竟陵派同样反对前后七子的复古理论，主张文学创作应抒写“性灵”，反对拟古之风。所谓“性灵”是指学习古人诗词中的“精神”，是“幽情单绪”和“孤行静寄”。同时竟陵派对公安派也有批评，认为其作品俚俗浮浅，因而倡导“幽深孤峭”风格加以匡救。所谓“幽深孤峭”，即指文风求新求奇，不同凡响，刻意追求字意深奥。这样竟陵派便形成了刻意雕琢字句、语言佶屈、艰涩隐晦的创作特点和文风格调。竟陵派与公安派一样在明后期反拟古文风中有进步作用，对晚明及以后小品文大量产生有一定的促进之功。然而他们的作品题材狭窄，语言艰涩，又束缚了创作的发展。竟陵派的追随者有蔡复一、张泽等人，当时受竟陵派影响而较有成就的当属刘侗，他的《帝京景物略》成为竟陵体语言风格代表作品之一。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条